Drivin N Cryin play City Winery Nov. 17-18

Two evenings of music with Drivin N Cryin at City Winery. Wed. and Thurs., Nov. 17 and 18. $50-$65. 6:30 p.m. (doors). Music starts at 8 p.m.

Tickets for Wed., Nov. 17.
Tickets for Thurs., Nov. 18.

Press play below on Drivin N Cryin playing live at the Print Shop below, and give a listen to their latest album, Live the Love Beautiful.


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Crazy Doberman and World Upside Down play the Earl on Mon., Dec. 6

Crazy Doberman makes a triumphant return to Atlanta on Mon., Dec. 6.

This time around the the Midwest / East Coast-based free-improvisation outfit performs as a seven-piece, wielding an industrial-grade skronk, drone, and clatter.

World Upside Down, a large ensemble featuring members of Mothers Milk (formerly Atlanta’s Uniform) and more also performs. $12. Doors open at 8 p.m. Music starts at 9 p.m.


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Agent Orange and the Legendary Shack Shakers play the Earl on Sat., Feb. 26

AGENT ORANGE. Photo by John Leach

Agent Orange returns! Back in the ’80s, the Southern California trio led by singer and guitar player Mike Palm cranked out some of the most whiplash, compelling, and emotionally distraught surf and skate punk tunes ever committed to tape. Seeing the group live is kind of a rite of passage. The Legendary Shack Shakers also perform. $18 (adv). $21 (doors). Sat., Feb. 26. The Earl.

THE LEGENDARY SHACK SHAKERS

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Vision Video: ‘Organized Murder’

Vision Video is back with a new video for “Organized Murder,” taken from the group’s debut album, Inked In Red.

This one ain’t for the faint of heart! “Organized Murder” is the fourth video released by Athens’ gothic rock luminaries, following videos for “Inked In Red,” “Comfort in the Grave,” and “Static Drone.” The song also bears the sharpest teeth when it comes to wrapping the group’s stylized mastery of darkness, light, and melodic hooks around a poignant statement. 

The song opens with a chilling bit of dialogue taken from make-up artist Tom Savini’s reimagining of the classic horror film Night of the Living Dead. Ben, a character played by actor Tony Todd, delivers these particularly chilling lines while coming to terms with the zombie apocalypse that’s unfolding around him: “This is something that nobody has ever heard about, and nobody has ever seen before. This is hell on Earth… This is pure hell on Earth.”

Set to director Erica Strout’s visual accompaniment, “Organized Murder” leaps into action as a fitting metaphor for what the group describes as America’s fetishization of “violence, force, and warfare on behalf of ‘the greater good.’”

A statement released with the video goes on to say that: “This is a representation of my experiences watching systematic violence used on behalf of morally bankrupt political ideologies to meet their ends and economic hegemony by military domination across the third world.”

Press play and let it sink in.

Read the Flagpole Magazine feature story, “Inked in Red: Vision Video Processes War, Trauma and Loss Through Goth Rock.”

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Genki Genki Panic: ‘The Munge’ b/w ‘Gas Human Being No. 1 / the Human Vapor,’ and ‘Moth Mandingo Effect’ 7-inch

Put on your 3-D glasses now.


Genki Genki Panic thrives on the fringes of the ecstatic, honing a musical aesthetic that eviscerates traditional notions of genre, while offering a dizzying array of threads to pull at every turn.

Hailing from the rolling and mystical expanse of terrain that lies between Atlanta, GA and Chattanooga,TN, GGP guitar and keyboard player Chris Moree, bass player Eric Waller, and drummer Chris Campbell’s musical bounds are as limitless as the landscape from whence the group sprouted. Each song draws inspiration from the deepest darkest recesses of pop culture.

It’s all on display in the three songs pressed onto the group’s first vinyl 7-inch — “The Munge” b/w “Gas Human Being No.1 The Human Vapor” and “Moth Mandingo Effect.”

Just a cursory scroll through GGP’s Bandcamp page reveals a deluge of musical excursions in which the group plays more notes in one measure than most technically skilled metal bands on the scene. Elsewhere, GGP mines the sonic palette of video game soundtracks and reassembles them to bear their own deranged adventures.

Layers upon layers of references come together around each new offering: A cover of the Deadly Ones’ “It’s Monster Surfing Time” blends album cover art from the Descendents’ Milo Goes To College with imagery from “Planet of the Apes.”

Ghoulie High Harmony *Director’s Cut is perhaps the greatest Boyz II Men reference that no one has ever caught. Still elsewhere, GGP’s sound and vision is a tangle of not-so-veiled nods to Bad Brains, OutKast, Big Black, Beetlejuice and classic horror film scenes, all tied together with an affinity for spooky vibes and haunted surf and sci-fi sounds.

“The Munge” (dubbed “The Munge Parasito” on the Bandcamp page) saunters in before the nearly three-minute tsunami jam takes over the song. “Gas Human Being No.1 / The Human Vapor” and “Moth Mandingo Effect” push the eerie irreverence beyond the record’s grooves, giving rise to a particularly twisted ambiance. It’s seemingly impossible to avoid being swept up in the group’s high-energy dirges, despite (or maybe because of) their defiantly wide-eyed ways.

Genki Genki Panic plays Hammerhead Fest 9.5 Sat., Nov. 27, at Boggs Social and Supply (outdoor stage) with Paladin, Order of the Owl, the Vaginas, Canopy, Black Candle, and Naw. $15. 4 p.m. (doors). 

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The Hot Place featuring David J: ‘Hell, Highwater, or Sunlight’



Returning with their first new offering since 2019, the Hot Place’s latest single, “Hell, Highwater, or Sunlight” is a supernatural blues number steeped in the dark and folkloric imagery of a metaphorical wild hunt.

The song features David J of Bauhaus and Love and Rockets playing harmonica, illustrating an abstract tale that’s a bit spookier than any of the Hot Place’s previous releases. “Hell, Highwater, or Sunlight” was, however, unveiled on Halloween night, just in time for Samhain to kick off November’s enchanted witching season.

Singer and bass player Lisa King wrote the lyrics for the song in the midst of a sudden and tumultuous thunderstorm that swept over the city on a night before David J was playing a show at Little Tree Art Studios in June of 2017. King recalls the evening: “I was at Leon’s Full Service in Decatur, and the trees were hitting the window in a really spooky way, like skeletons. The moon was out, clouds were moving by fast in the sky. I started writing lyrics to this blues song we had, and I imagined being in the woods.”

David J at Electron Gardens Studio. Photo by Lisa King.

Guitarists Mike Lynn and Jeff Calder flesh out the spectral sound that expands upon the Hot Place’s shadowy psychedelia and spare, alternative rock stylings with the mystical essence of mythology and metaphor. King’s lyrical mysticism drives the eerie folk ballad like a storm swell over Calder’s atmospheric mandolin and Robert Schmid’s drums.

As the story goes, David heard the song at Lisa’s house the night before playing the gig at Little Tree Arts Studios, and immediately envisioned the song’s harmonica part. 

“I love this track, dripping in swampy mojo vibes, full of the night, storms, and yearning ghosts,” David says.

The following afternoon, his harmonica was recorded in a single take at Electron Gardens Studio.

“There’s a call and response between the vocal and David’s harmonica,” King says. “In a way, they become the two characters in the song’s narrative.”

“Hell, Highwater, or Sunlight” is set to appear on an upcoming 10-song LP that’s being partially mixed by Ed Stasium, who has worked with everyone from the Ramones, the Pretenders, Talking Heads, and Mick Jagger to Atlanta’s new wave luminaries the Swimming Pool Q’s. 

Stasium mixed three of the album’s songs. The other seven, including “Hell, Highwater, or Sunlight” were mixed by Steven Morrison of Madlife Stage and Studio.

The album was trapped in limbo for more than a year-and-a-half, as no one could get into a studio to finish Schmid’s drum parts during the COVID-19 lockdown. Ultimately, the group wrapped up the single at West End Sound with Tom Tapley (Mastodon, West End Motel, Blackberry Smoke).

The title of the new album remains to be determined, but it’ set to arrive in 2022 via King’s self-run label No Big Wheel Records.

The Hot Place: Mike Lynn (from left), Lisa King, and Jeff Calder. Photo by Frank French.

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Didi Wray dances with a ghost in ‘Tango Halloween’

Didi Wray with El Chico.

Singer, composer, and tango music icon Carlos Gardel died in a tragic plane crash at the height of his career in the summer of 1935. 

To this day, however, there is a legend in the streets of Buenos Aires that Gardel’s ghost can still be seen and heard, dancing and singing at night, seducing women with his voice.

It’s a spectral tale that lies at the heart of Didi Wray’s latest offering, “Tango Halloween.”

The new song falls on the heels of her previous monthly single releases “One Step Beyond” (feat Señor Chancho), and her take on Bernard Herrmann’s theme from “The Twilight Zone.” It’s also the first song that she’s released under her name to bear her singing voice.

Those who are familiar with the Santiago, Chile-based surf rock guitarist’s work know of her other musical project, One Chica Gypsy Band, where her Spanish croon plays a prominent role. Never has it appeared throughout her surf rock recordings.

“This is something special for my fans,” she says. “As with many things I do in my career, I was motivated to sing for them. Some of my fans know my one-woman band and have asked several times that I sing a song in the Didi style — something in English. So there you have it.”

Wray handles everything from programming the drums to guiding the rhythms of her violín bass that she’s dubbed “El Chico.” And, of course, the atmosphere of her chilling guitar tones bring a thrilling, supernatural ambience to her surf-tango mission—haunted house horror with her signature flare for Latin rhythms and surfboard kerrang—produced by Francisco David, and mixed and mastered by Patricio Arias. Artwork is courtesy of Brazilian cartoonist Leandro Franco.

Keep an eye out for “Tango Halloween” to appear later this year on a new LP featuring 12 new numbers that she has in the works.

Until then, keep an eye out for Gardel in the streets. Trick-or-treat.

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Upchuck plays a 7-inch release show at Eyedrum Sat., Nov. 6

Upchuck. Photo by Marlon Garcia

Upchuck celebrates the arrival of the group’s debut 7-inch (Famous Class Records) with an outdoor show at Eyedrum Art & Music Gallery on Saturday, November 6.

Its About Time also performs.

An extremely limited quantity of Upchuck’s “In Your Mind” b/w “Upchuck” blood-spattered 7-inches will be for sale on the merch table—first come first served.

Doors open open at 7:30 p.m. Music starts at 8:30 p.m. $15-$20. Get tickets here.

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