Upcoming shows

Ministry, the Melvins, and Corrosion of Conformity play the Tabernacle on March 22

Al Jourgensen of Ministry. Photo by Derick Smith.

Ministry is on the road again, celebrating the arrival of the group’s latest album, Moral Hygiene. Uncle Al and Co. will delve into the deep cuts as well. They always do! … And keep your eyes and ears peeled for the group’s nod to John Lewis.

The Melvins and Corrosion of Conformity also perform. | The Tabernacle. Tuesday, March 22. $39-$65. 7 p.m. (doors).

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Terror, Kublai Khan TX, and Pain of Truth play The Earl on Wed., May 25

Terror

Los Angeles’ straightedge-hardcore luminaries Terror are on the road again, this time celebrating 20 years of paint-peeling guitars, lightning-fast rhythms, and fierce and empowering vocal assaults. For this round of shows the group will pull out a few of their brutal classics while showcasing a set of newer numbers from their eighth album, Pain Into Power (Pure Noise Records), which was produced by the Terror’s co-founder member and former guitar player, Todd Jones.

Sherman, TX metalcore outfit Kublai Khan TX plays the middle slot supporting a new release of their own, titled Lowest Form of Animal (Rise Records).

Long Island hardcore outfit Pain of Truth, fronted by vocalist Michael Smith (Hangman, Victory Garden), sets the night in motion.

$27 (adv). $30 (Doors). Wed., May 25 at The Earl.

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Circle Jerks, 7 Seconds, and Negative Approach play the Masquerade July 22

Circle Jerks photo by Atiba Jefferson


Southern California hardcore icons the Circle Jerks are on the road again, celebrating the 40th anniversaries of their first two albums, Group Sex and Wild In the Streets, both recently reissued by Trust Records Company.

The show also marks the Circle Jerks’ first show in Atlanta since they played the Masquerade in December of 2006. Were you at that show?

For this tour, drummer Joey Castillo (Danzig, QOTSA, BL’AST!, the Bronx, and more) joins the classic lineup, featuring bass player Zander Schloss, guitar player Greg Hetson, and frontman Keith Morris.

Trust Records also recently reissued 7 Seconds’ 1984 debut LP, The Crew. Both 7 Seconds and Negative Approach (!!!) fill out the bill in Heaven at the Masquerade. Friday, July 22. $32.50 (adv). 7 p.m. (doors).

Photo courtesy 7 Seconds


Negative Approach photo by Chad Radford


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4 1/2 Grizzes with David Bair of New Bedlam

David Bair of New Bedlam. Photo by Chad Radford


At the top of the year, New Bedlam went into Maze Studios with Ben Etter to record a new EP titled Steady Diet of Bullshit (released June 18). Later, singer and guitar player David Bair, bass player Tyler Davis, drummer Mike Walden, and guitarist Michael Parrish returned to the studio to film live performances of each of the EP’s five songs.

Recently, Bair and I made our way to El Myr in Little Five Points to talk about the group and the latest EP while knocking back a few Grizzes — four and-a-half Grizzes each, to be exact. What’s a Grizz, you ask? It’s a pony-sized bottle of Corona with a shot of well Tequila dropped in, and a lime placed atop so you don’t spill too much on the way back to your table.

This is part 1 of our conversation. Keep an eye out for part 2 coming soon.

What brought you to Atlanta?

Me and our bass player Tyler were in a band called Bully Pulpit. We moved here from Charleston in 2016. Danny, the kitchen manager here at El Myr, was the frontman for that band.

We were touring up and down the East Coast, putting out records, and bought a van. Charleston just wasn’t a good place for our headquarters. We had some homies living here, so we moved. … Moving four guys into a house, who didn’t have jobs, and had never really lived with anyone else before … It fell apart pretty quickly. Me and Danny and Tyler stayed. We put a lot of time and money and energy into this band, and that’s what pushed me to pick up the guitar again and start writing music with a new band. Nothing will happen if you don’t try.

It’s taken three years to get the word out about New Bedlam. The songs are there, the sound is there, now we just need to get it into peoples’ ears.

Having some professionalism in our work ethic, staying on peoples’ asses, doing the live videos on Youtube is only going to help us.

The new EP is called Steady Diet of Bullshit … Clearly a Fugazi reference?

Yes! Tyler is a Fugazi nut. Originally, jokingly, we were going to call it Steady Diet Of Pizza, but that was too much. Obviously, Fugazi is a huge influence on us and we’ve covered “Merchandise” before. It’s that DIY ethic: If anyone’s ever seen a Fugazi show in person or on the internet, you’re going to church. You connect with it immediately when you’re watching those motherfuckers play. So the title was a clever way to give them a nod, and to signify that if you come to one of our shows, you’re going to leave with something new in your life.

I’m not on stage just because we’re some band on a bill. I’m here because we’ve culminated this with our homies, and wrote these songs to hopefully send you home in a way more positive mood than what you showed up with. We want it to be something that’s fun and exciting, something you hadn’t experienced before.

Let’s talk about some songs — “End Transmission”.

We had a bunch of songs in the can and everyone was like, “fuck it, let’s go record them.” At first, it didn’t make any sense to me when we recorded. But now, hearing them together, whatever the songs mean to the user makes sense. They all mean different things to me, they mean different things to the boys and the band. “End Transmission” is more personal. To me it’s about parents and childhood and shit like that.

The idea with Steady Diet Of Bullshit is something that me and you deal with every day. Something that everyone in Atlanta deals with everyday — the mound of bullshit you are constantly navigating to be happy, or to have a positive mental attitude, or just to keep your  bills paid. People relate to that because it’s everyday life.

“Lurch” is a heavier song. Some of the other songs on the record are more punk oriented. “Lurch” has got more atmosphere, but when we hit the chorus it still punches you in the gut. It’s about how we’re always trying to move forward so fast — society, technology. But my personal experience is that we’re just lurching in one way or another, trying to get through whatever.

As much as I love Fugazi, I never detected much of a sense of humor in the music. A lot of bands wear the Fugazi influence on their sleeve, but calling the album Steady Diet of Bullshit is a new approach … And it’s a funny way to pay homage.

Yes! And even with our other EPs, there’s always a cynical quality to the music. You could take some of the lyrics seriously, or not. There’s always a light side of me saying some pretty heavy shit. So naming it Steady Diet of Bullshit is my way, and the band’s way, of bringing humility to the music. We’re all pretty humble people, but we’re still vulnerable.

It’s refreshing to be in Atlanta, and to hear this level of anger in a newer band. Atlanta is the music scene that you’re part of, but these songs resonate with a bigger picture that’s aligned with Melvins or Unsane.

We were learning “Scrape” not too long ago, just to have a fun cover to play! Dude, that kind of feeling that you get from listening to Unsane is what we want — that’s us in a nutshell. The way it makes you feel when you listen to it — that nasty, knee-buckling shit — when you hear it, however you relate it to your world, we’re in the same boat. 100%

New Bedlam is (from left) Tyler Davis, Mike Walden, David Bair, and Michael Parrish. Photo by DJ Bing.

Part 2 of our conversation is coming soon.

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John Lurie on his new memoir, ‘The History of Bones’

A Cappella Books proudly welcomes the John Lurie in honor of his captivating new memoir, The History of Bones on Monday, September 27 at 8 p.m.

The pioneering artist, actor, musician, and composer will appear in conversation with host of A Cappella’s ongoing virtual music series, Rough Draft digital editor and journalist Chad Radford.

This event is free and open to the public. Capacity is limited. Register here to ensure your spot for this must-see book event.

In the tornado that was downtown New York in the 1980s, John Lurie stood at the vortex. After founding the band The Lounge Lizards with his brother, Evan, in 1979, Lurie quickly became a centrifugal figure in the world of outsider artists, cutting-edge filmmakers, and cultural rebels. Now Lurie vibrantly brings to life the whole wash of 1980s New York as he developed his artistic soul over the course of the decade and came into orbit with all the prominent artists of that time and place, including Andy Warhol, Debbie Harry, Boris Policeband, and, especially, Jean-Michel Basquiat, the enigmatic prodigy who spent a year sleeping on the floor of Lurie’s East Third Street apartment.

It may feel like Disney World now, but in The History of Bones, the East Village, through Lurie’s clear-eyed reminiscence, comes to teeming, gritty life. The book is full of grime and frank humor—Lurie holds nothing back in this journey to one of the most significant moments in our cultural history, one whose reverberations are still strongly felt today.

History may repeat itself, but the way downtown New York happened in the 1980s will never happen again. Luckily, through this beautiful memoir, we all have a front-row seat.

John Lurie. Photo by Eric Mockus

About the Author
John Lurie is a musician, painter, actor, director, and producer. He co-founded The Lounge Lizards in 1979. In the decades since, he has released albums (including those by his alter ego Marvin Pontiac), acted in films, composed and performed music for television and film, exhibited his paintings throughout the world, and produced, directed, and starred in the “Fishing with John” television series. His most recent series, “Painting with John,” debuted on HBO in 2021.

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Record Plug: Warm Red

When you’re out and about this weekend, hitting up records stores, coffee shops, or just grabbing a beer somewhere, be sure to pick up a copy of the September issue of Record Plug Magazine.

For this issue, I had the chance to catch up with Warm Red before their show at the Earl a little earlier this month, and to talk about their debut album, Decades of Breakfast (State Laughter). Press play below.

Also, this issues features cool write ups on AthFest (Sept. 24-26), Skin Jobs, Entertainment, the upcoming Southern Surf Stompfest (Oct. 2), and a whole lot more.

The website is here, but print is where all of the stories live, and copies are strategically placed all around metro Atlanta and Athens. … I grabbed my copy at Drip Coffee in Hapeville, but I saw it at Wax-n-Facts and Wuxtry as well.

Keeping scrolling downward to read my Warm Red feature story, and check out those killer live shots courtesy of Mike White at Dead Designs photography.


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