Antagonizers ATL, Rotten Stitches, the Hanging Judge, StrikeFirst, and Billy Batts & the Made Men play at matinee show at Vision Studios on Saturday, November 21.
This show is an Atlanta Community Food Bank benefit. Music starts at 3 p.m. Masks are required for entry. BYOB.
$6 (or $5 + canned goods) for 21+ $11 (or $10 + canned goods) for under 21
A Cappella Books presents a virtual event with award-winning writer and documentarian Robert Gordon to celebrate the forthcoming 25th Anniversary Edition of his captivating deep-dive into the cultural underground of the 1950s Memphis arts and music scene.
Gordon will join Atlanta music writer and Smithsonian Folkways editor Chad Radford for a Zoom discussion of the updated and revised It Came from Memphis, published by Jack White’s Third Man Books. The interview will be followed by an online Q&A session, and is free and open to the public.
The updated and revised 25th Anniversary Edition of It Came From Memphis features more than 80 new photos, a new layout, an updated text featuring more voices, and forewords by Peter Guralnick and Hanif Abdurraqib.
Withered and GG King play a live streaming benefit show to raise funds for The Earl’s staff. Friday, December 18. Donations packages are available for $10-$75. Music starts at 8 p.m.
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Ramped up pop punk provocateurs the Queers are back! “Fanculo A Tutti!”
On Saturday, December 19, the faint of heart will run for cover when singer, guitar player, and songwriter Joe King, AKA Joe Queer, bass player Chris “Cheeto” May, and drummer Alex “Hoglog Rehab” Martin perform their new album The Queers Save The World (All Star Records) at Vision Studios in Atlanta.
T.T. Mahony (left) and Jeffrey Butzer. Photo by Samantha Shal.
T.T. Mahony and Jeffrey Butzer return for their annual performance of A Charlie Brown Christmas.
This year’s show is a live stream from The EARL stage on Saturday, December 19. Pianist Mahony and drummer Butzer lead an ensemble featuring bass player Mike Beshara and vocalist Kelly Sirmans Winn through composer Vince Guaraldi’s A Charlie Brown Christmas.
Chad Shivers & the Frigidaires (feat. Nick Bazemore, Brad Mattocks, Matt Steadman, Sonny Harding, and Sean Zearfoss) celebrate the group’s 10th anniversary playing the A Charlie Brown Christmas show by performing the Beach Boys and the Ventures’ Christmas albums in their entirety.
I recently had the pleasure of speaking with Randy Gue for Emory University’s Rose Library presents: Atlanta Intersections podcast. We talked about my move to the South in the late ’90s, Atlanta’s underground punk and hardcore music scenes, making sense of it all, and more. Press play!
West End Motel is playing live from the EARL’s parking lot on Halloween night. Tom Cheshire, Brent Hinds, and Co. will be showing off some newer numbers along with a whole bunch of classic cuts, and more. Tune into the live stream via Instagram at 9 p.m.
Electronic pop songwriter Nelward (born Nick Elward) puts a new spin on embracing inner demons with Eat Your Dreams. “Smash Thru,” stands apart from the seven-song EP’s pastiche of ‘80s pop and early aughts hip-hop, R&B, and IDM productions styles. The song features a guest appearance by Atlanta’s favorite expat songstress Adron, bending vibrant ‘80s pop to ward off what Nelward calls “toxic positivity.”
Electronic pop songwriter Nelward (born Nick Elward) puts a new spin on embracing inner demons with Eat Your Dreams. “Smash Thru,” stands apart from the seven-song EP’s pastiche of ‘80s pop and early aughts hip-hop, R&B, and IDM productions styles. The song features a guest appearance by Atlanta’s favorite expat songstress Adron, bending vibrant ‘80s pop to ward off what Nelward calls “toxic positivity.”
“When I was younger people at school and work would tell me to ‘cheer up,’ even when I wasn’t necessarily sad,” Nelward says. “The idea that we have to perpetually project happiness instills an idea that feeling bad is not okay, which can make mental health issues worse.”
Of course, all of this resonates loudly in the era of quarantine. Adron even recorded her vocal parts from her home in Los Angeles, and the two collaborated remotely. What’s more, many of the EP’s songs — “The Werewolf,” “My Balloon,” and the title track — feed off the normalized sense of dread that 2020 has wrought. But “Smash Thru” is a personally cathartic number. With lyrics such as, “I had a hard time as a kid / And saw some shitty therapist / Who told me ‘Just don’t worry bout it! It’s just you,’” the song takes shape as an empowering number, tackling lifelong issues.
“I like people to interpret my lyrics on their own,” he adds. “But in general, Eat Your Dreams deals with feelings of hopelessness that did not begin but were exacerbated by the circumstances of 2020.”
Founders of some of Atlanta’s most beloved and remembered spaces will speak about how these organizations came into existence. Answering questions such as: What were the conditions that led to the founding of the space/project/organization? What was happening in Atlanta at that time? What goals did you set out to accomplish, and did you feel those goals were met? What can the current field of artist-run initiatives learn from this history?
Each talk will be moderated by a member of the community who experienced the initiative’s activities first-hand, and in several cases, who operated/participated in similar concurrent projects.
Saturday & Sunday, October 17-18, 2020. All panels hosted via Zoom. Free but registration required for each session. All registration links can be found at www.artpapers.org/events/founding-stories/