‘Sites & Sounds from Big Ears’ presents Lonnie Holley & Friends streaming at The Mill & Mine Friday, November 13

Lonnie Holley. Photo by Tamir Kalifa.

Sites & Sounds from Big Ears is streaming a performance by visual and performing artist Lonnie Holley on Friday, November 13.

For this pre-recorded performance, Holley is joined by ensemble featuring cellists Ben Sollee and Dave Eggar, guitar players Christopher Paul Stelling and Phil Faconti, fiddler Evie Andrus, and drummer Jordon Ellis playing in-the-round at Knoxville’s The Mill & Mine.

Tickets are $14 (adv)-$16 (dos). Music starts at 8 p.m.

Big Ears 2020: The ATLien invasion! W8ing4UFOs, Mute Sphere, Dust-To-Digital, and more line up for Knoxville’s annual gathering of adventurous music

Mute Sphere plays the Pilot Light on Thursday, March 26 at 8 p.m. Photo by Priscilla Smith.

Big Ears 2020 has been canceled over concerns related the COVID-19 virus read the festivals official statement.

W8ing4UFOs are still playing their scheduled shows at the Pilot Light. Stay tuned for more information.

As Knoxville, Tennessee prepares for the Big Ears Festival‘s annual pilgrimage of deep listeners descending upon the Marble City’s music venues March 26-29, more pieces are falling into place every day. Festivities for the 2020 gathering include an ever-growing film series and panel discussions, in addition to a lineup of bold musical innovators celebrating their singularly nuanced sounds. A rich lineup of heavy-hitters is on the calendar for this year, including German free jazz luminary, saxophone and clarinet player Peter Brötzmann, Tortoise guitar player Jeff Parker and the New Breed, rock ‘n’ roll poet Patti Smith, Tuareg psych rocker Mdou Moctar, drone music architect Phil Niblock, British free jazz and Afrofuturist provocateur Shabaka Hutchings & the Ancestors, and more.

Amid the flurry of artists and activities on this year’s schedule, Atlanta boasts a particularly strong showing:

Mute Sphere, a group featuring former Faun and A Pan Flute guitarist David Gray, cello and fiddle player Ben Shirley, drummer John Gregg, and percussionist and synth player Chris Childs team up with vocalist Monique Osorio, crafting a blend of composed and improvised rock and modern classical sounds. Mute Sphere takes the Pilot Light stage on Thursday, March 26. 8 p.m. It’s free to anyone who can fit through the door, even if you don’t have a Big Ears pass.


The Rev. Fred Lane is currently setting the South ablaze with the arrival of Icepick To the Moon, his first album over 30 years. The album finds the Auburn, Alabama auteur backed by a group known as the Disheveled Monkey Biters, aka the Edgewood Saxophone Trio (Jeff Crompton, Ben Davis, and Bill Nittler). Rev. Fred Lane and the Disheveled Monkey Biters play The Standard on Friday, March 27. 9 p.m.


W8ing4UFOs photo by Karen Haim.

Coded deeply within W8ing4UFOs’ DNA is a dense and secret history of Atlanta music. Singer and guitarist Bill Taft, cellist Brian Halloran, and percussionist Will Fratesi’s time together reaches all the back to Cabbagetown in the early ‘90s, sharing stages with Southern firebrand Benjamin in the band Smoke. Producer, songwriter, and keyboard player Billy Fields is like the angel Virgil of Atlanta music, leading the way out of darkness into the light. His resume boasts a lifetime spent playing music with a variety of acts such as Follow For Now, Seek, Upstream, Lust, Arrested Development, Dionne Farris, and H.R. of Bad Brains’ Human Rights outfit. Alongside guitar player Sean Dunn of Athens’ indie rock outfit Five-Eight and viola player and Radon Recordings co-owner Katie Butler, the group creates a mighty sound steeped in the kind of steel-stringed anti-gospel defiance that can only be forged in the forgotten underbelly of the Southern Piedmont. W8ing4UFOs plays two shows at The Pilot LightFriday, March 27 at 9 p.m., and Saturday, March 28 at 3 p.m.


Dust-To-Digital co-owner Lance Ledbetter joins Nathan Salsburg, curator of the Alan Lomax Archive, for a listening session and discussion of selected artists, repertoires, and site-specific musical communities, including archival recordings from Ledbetter’s nonprofit organization Music Memory. At Boyd’s Jig & Reel. Sunday, March 29. 2-3 p.m.

Check out the rest of the lineup at www.BigEarsFestival.org.