‘Benjamin Smoke’ screening at The Plaza Theatre on Wednesday, March 25


Twenty Six years after directors Jem Cohen and Peter Sillen released the documentary film Benjamin Smoke, the story endures, capturing a ghost in the grain of Atlanta’s underground music and mythology.

Shot throughout the 1990s in Cabbagetown, the film traces the ragged, incandescent life of Benjamin (born Robert Dickerson), a poet, drag performer, and frontman for the bands Smoke and the Opal Foxx Quartet. 

What unfolds is a collage of moments—equal parts beauty and abrasion. Cohen (Fugazi Instrument) and Sillen’s lens drifts through cluttered streets, dimly lit stages, and unhinged conversations, capturing a figure who existed in defiance of permanence. Benjamin’s world is one of contradictions: confrontational yet vulnerable, self-destructive yet searching, rooted in the decaying edges of a city then teetering between neglect and reinvention.

The screening also serves as a reunion of sorts for those who orbited that era. An introduction by Film Love’s Andy Ditzler and Bill Taft (Smoke, Opal Foxx Quartet, Hubcap City, W8ing4UFOS) sets the stage, followed by a post-show discussion featuring Taft along with friends and cohorts Clare Butler, Rosser Shymanski, Laurie Stevens, and Tom Zarrilli.

For anyone who remembers—or longs to understand—Atlanta in the ‘80s and the ‘90s, this event offers a chance to sit with a life lived in fleeting moments, without apology. It’s also a chance to explore the beauty and unease of a scene that refuses to stay buried.

Wednesday, March 25. $16.49 (adult). $13.50 (seniors, children, and military) 7 p.m.

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Kelsey Wilson, Alexander, and Hot Trash play Railroad Earth on Thursday, May 29

Hot Trash. Photo by Deisha Oliver.

There is quiet power that comes from embracing the subtle nuances, the unheard dimensions of sound that arise when crafting analog textures and drones that fall in the gray areas between musical improvisation and composition. Kelsey Wilson, Alexander, and Hot Trash will dive headlong into this kind of delicate intensity at Railroad Earth on Thursday, May 29.

Hot Trash, finds longtime friends and collaborators Bill Taft and Brian Halloran of W8ing4UFOs, pushing further into realms of abstraction. Using heavy effects to draw out the natural tones of cello and guitar, the duo lets the ghosts of Smoke and Hubcap City echo through a loose and highly personal framework that allows for breath and spontaneous combustion. Some songs have lyrics, some do not.

Alexander. Photo courtesy David Shapiro.

Alexander is the stage name used by New Haven, Connecticut guitar player David Shapiro—an understated yet technically dazzling presence whose work bridges the line between American Primitive guitar and a broader, more introspective drone-folk sensibility. Shapiro’s fingerstyle technique is steeped in the traditions of John Fahey and Robbie Basho, yet his voice is his own—attuned to the spectral edges of memory and movement. Shapiro’s performances unfold like meditations with gravity and grace, each note a stone dropped in still water.

Kelsey Wilson

Bringing the evening to a close, Kelsey Wilson crafts immersive, slow-burning soundscapes built from cassette loops, field recordings, and improvisation. Drawing a throughline from William Basinski’s decaying ambiance to the lo-fi texture worship of early Belong and Concern, Wilson’s set promises to be thick with atmosphere—disintegrating, reassembling, and hovering just out of reach.

$10. Thurs., May 29. Music starts at 8 p.m. Railroad Earth, 1467 Old Oxford Rd. N.E.

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W8ing4UFOs ‘Don’t Let the Asshats Burn You’ release party at Waller’s Coffee Shop Sunday, December 13

W8ing4UFOs play the Don’t Let the Asshats Burn You LP and CD release party at Waller’s Coffee Shop’s Outer Space Bar.

Sunday, December 13. $10 (adv). $15 (day of show). Doors open at 2:30 p.m. Music from 3-5 p.m. 240 DeKalb Industrial Way, Decatur.


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