Revisiting Pylon Reenactment Society’s ‘Christmas Daze’


Pylon Reenactment Society’s “Christmas Daze” captures that peculiar mix of frantic motion and quiet clarity that settles in around the holidays. The song was born on instinct during a late-2021 rehearsal: bass player Kay Stanton dropped a riff that snapped the room into sharp focus. Within minutes the group had a new song on their hands. They carried that momentum straight into Chase Park Transduction, tracking the tune on December 29, 2021, while the season’s energy still hung in the air. The song was initially released via Bandcamp on December 1, 2023.

“Christmas Daze” follows a lone traveler who runs out of gas on the way to and from a family gathering. But the breakdown serves as a reset. Instead of leaning into frustration, the song’s narrator reconnects with the small charms that make the holidays worthwhile. Tiny flashes of warmth are found in roadside stillness, the glow of passing decorations, and the quiet pause between obligations.

Pylon Reenactment Society. Photo by Christy Bush

PRS delivers it all with their signature taut and wiry pulse. Vanessa Briscoe Hay’s voice cuts through like a cold wind, carrying equal parts wry humor and wonder. Jason NeSmith’s guitar sparks and coils around Gregory Sanders’ crisp drumming, and Stanton’s riffs propel the music forward. ‘Christmas Daze’ hums with the notion that life moves better when you stay present enough to catch the beauty flickering in every passing second.

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Pylon Reenactment Society and Is/Ought Gap play the Garden Club on December 21

Pylon Reenactment Society. Photo by Christy Bush

The Garden Club hosts two of Athens’ post-punk pioneers when Pylon Reenactment Society and Is/Ought Gap share the stage on Saturday, December 21.

Pylon Reenactment Society is fronted by Vanessa Briscoe Hay, whose voice brought Pylon’s kinetic energy to a fine point in the early ‘80s. With PRS, she fronts a wholly new group rounded out by  guitar player Jason NeSmith, bass player Kay Stanton (Supercluster, Casper & the Cookies), and drummer Gregory Sanders (Casper & the Cookies). With their recently released debut album, Magnet Factory, the group expands upon Pylon’s angular style with a more pastoral approach in songs like “Educate me, ” “3 x 3, ” and “Fix It.”

Maybe they’ll roll out the seasonal hit (?), “Christmas Daze,” which materialized around this time last year.

Is/Ought Gap embodies the wild side of the no-frills ethos that fueled Athens’ heyday. “Artsy Peace and Love,” “Lucky 7,” “He Said,” and so many other ramped up numbers are defined by singer Bryan Cook’s razor-tongued and fun-loving invectives.

This show is a victory lap for Is/Ought Gap, who’s playing songs from this year’s long overdue discography LP, SUA, released via Happy Happy Birthday To Me Records.

Is/Ought Gap

$15 (advance). $20 (day of show). Doors open at 7 p.m. Music starts at 8 p.m. 1010 White St. SW.

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