Press play on ‘No Culture’ from Dan Melchior Band’s ‘Welcome To Redacted City’

Ask Dan Melchior about the underlying narratives that play out in his records and he’ll say he doesn’t pay much attention to them. They reveal themselves in ways that are personal to the listener. He simply goes where they lead him.

A lot has come to pass in Melchior’s life over the last few years. He made a cross-country move from his longtime home in Carrboro, NC to the greener pastures of Austin, Texas. He has embarked on a brand new relationship, and … oh … there was a global pandemic that shut down the whole world for a couple of years. It’s difficult not to try connecting the dots when listening to his latest album, Welcome To Redacted City, Melchior’s third release with the Atlanta-based label Midnight Cruiser Records.

YOU CAN NEVER GO HOME: Dan Melchior. Photo courtesy Midnight Cruiser Records.

Songs such as “Going Outside,” “The Right Influencer,” “Incel Country,” and “Voyager” find the U.K. born, U.S. transplant singing and playing guitar through 21 honest-to-goodness songs backed by a full band. The lineup featured throughout the album includes bass player Chris Girard, keyboard player Anthony Allman, and drummer Clark Blomquist yielding a cohesive live band feel that’s aligned with Melchior’s earlier recordings with his Broke Revue band, and much of his older releases for In The Red Records. Garage punk, loads of distortion, and exquisite melodies careen with a poetic and renewed vigor here, each element underscoring an album that is decidedly of the times.

Each song navigates a maze of modern dilemmas, viewed through the T.V. and computer screens as the world goes to hell. But Melchior channels his anxieties into these uplifting numbers that sit right alongside personal disasters and triumphs—the kinds of things that one obsesses over while living in isolation. The driving bass in “Voyager” and the ominous voice in “No Culture” spouting, “It’s a no culture zone but you can never go home, ’cause they’ve got you hooked on the sex and sunshine,” expand upon any and all expectation. Melchior’s words carry just as much weight as the low distorted rumble of the music.

Jumping from captivating melodies into bluesy punk-inflected chargers, the dots start to connect themselves in Redacted City, giving rise to an album steeped in menace and delight, paranoia and confidence.

Welcome to Redacted City is out March 10 via Midnight Cruiser Records. Click here to pre-order the LP.

In the meantime, press play on “No Culture.”

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Dan Melchior’s ‘Loud Version’ due out March 18 via Midnight Cruiser Records

Dan Melchior’s Loud Version cover art courtesy Midnight Cruiser Records

Drop a needle on Dan Melchior’s Loud Version (Midnight Cruiser) and the blown-out, sturm and drang of distortion and noise shrouding “Hungry Ghost” pours gasoline on a collection of his greatest hits and sets them ablaze.

“Hungry Ghost” hits like a hammer, opening up the record and laying out the blueprint for this spontaneous collection of Melchior’s near-masterpieces rendered with fiery and ramshackle glory.

Primeval cover versions of John Mayall & the Bluesbreakers’ “I’m Your Witchdoctor” and Mike Furber and the Bowery Boys’ “I’m Just a Poor Boy” roll out of his guitar like snarling stray dogs looking for a leg to bite. Melchior’s baritone growl captures the garage-swamp tension of a late-night bar scene where camaraderie can and will turn into chaos without warning. It’s an element of Melchior’s rock ‘n’ roll songwriting that’s often tamed by production. Here, songs such as “Outskirts,” “Mockingbird,” and “Monkey” howl without restraint.

Melchior is unquestionably a full-album artist. Each of his releases channel a specific mood — ranging from ambient to ecstatic — as each offering is an individual work. As the story goes, Loud Version was recorded as a batch of demos that were meant to presage an Australian tour, and the compilation of songs unfolds like a perfect set list filled with unhinged teeth-gnashing anthems.

Dedicated followers of Melchior’s releases will find this to be a visceral and raw yet secretly vital run through his most compulsory songwriting; rendered ideally here for both curious onlookers and for casual listeners looking to set their heads on fire.

Loud Version is out March 18 via Midnight Cruiser Records.
Click here to pre-order the album.

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