The Messthetics w/ James Brandon Lewis and Solid State Radio play The Earl on Tuesday, March 26

James Brandon Lewis (left) and the Messthetics. Photo by Shervin Lainez.

The Messthetics (feat. Brendan Canty and Joe Lally of Fugazi and Anthony Pirog) with James Brandon Lewis and Solid State Radio play The Earl on Tuesday, March 26. $20 (adv). $22 (day of). 7:30 p.m. (doors). 8:30 p.m. (music starts).


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Hammered Hulls, Gentleman Jesse, Clear Channel, and Scratch Offs play The Earl on Fri., Jan. 20

HAMMERED HULLS: Photo by Claire Packer

Hammered Hulls play The Earl on Fri., Jan. 20. Alec MacKaye (Faith, Ignition, the Untouchables) fronts a lineup of veteran players that includes guitarist Mark Cisneros (the Make-Up, Kid Congo Powers and the Pink Monkey Birds), bass player Brendan Canty (of Fugazi, the Messthetics, et. al. standing in for Mary Timony), and drummer Chris Wilson (Ted Leo + Pharmacists, Titus Andronicus).

The group is touring behind the October arrival of its debut full-length, Careening (Dischord Records). The album was produced by Minor Threat, Fugazi, and Dischord Records’ co-founder (and Alec’s brother) Ian MacKaye, and was recorded at Don Zientara’s Inner Ear Studio. With Careening, Hammered Hulls carries Washington D.C.’s post-hardcore and post-punk legacies into powerful and direct new musical terrain with the winding rhythms of songs such as “Bog People” and “Rights and Reproduction,” and the slower tempos of “Not Gone” and “Mission Statement.”

Gentleman Jesse Smith also performs, backed by a lineup featuring bass player Chris McNeal, drummer Sean Zearfoss, and Milton Chapman on keys.

D.C. post-punk quartet Clear Channel and Atlanta’s Scratch Offs also perform. $15 (adv). $17 (at the door). 7:30 p.m. (doors). 8 p.m. (showtime).

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