Genki Genki Panic: ‘This Is… Dungeon Surf!!!’


Anyone who’s paying attention knows that Genki Genki Panic cranks out new music at an alarming pace. It can be overwhelming to newcomers, but the group’s latest proper full-length, This Is​.​.​.​Dungeon Surf​!​!​!, distills the spirit of a full-throttle genre-bending haunted-house and surf-punk saga into 17 spooktacular cuts. What sets apart these Georgia-by-way-of-Tennessee misfits from run-of-the-mill Tommy Bahama shorts-wearing surf parrots is an increasingly twisted descent into the outsider fringes of the grotesque. These howlies prefer the eerie light of the full moon to the warm California sun, making their wide-eyed instrumentals all the more engaging. Songs such as “Ghouls On Film,” “Radon Chong,” and “Smells Like Teen Sewage” show off a reverence for the classic reverb and kerrang of the Ventures, Dick Dale, and the Trashmen as much as the creepy underworld soundscapes of Vic Mizzy and Danny Elfman. There’s also an undeniable sense of humor being telegraphed in those over-the-top songs’ titles. “Massive Severed Laphog In A Paper Bag” leads the firebrand charge with delay effects layered over tons of reverb, so much so that it actually sounds like the song is splashing out of the speakers. Other tunes, such as “Terror Vision” and “How Do You Like Your Hyperspace Maggots, Michael?” are utterly gritty and nasty—in the most appealing way those adjectives can be used. “Drac’d Raw Dot Com” and “Smells Like Teenage Sewage” carry the distortion of 8-bit dungeon synth sounds to horrific depths; a nod to which comes through in the album’s title, Dungeon Surf. One, possibly two songs willfully violate the rules with vocals, depending on how you’re listening to the album. The Bandcamp tracklist is different from what’s on Spotify, and the CD features seven songs that aren’t on the LP. “I Was A Teenage Were-chud” tells a wicked tale of heavy breathing and depravity in the graveyard under the pale moonlight, embracing the monster-movie nightmares that the group invokes from the cover art to the ghastly tongue-in-cheek song titles. Hainters gonna haint, but this is the essential GGP release so far.

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Genki Genki Panic: ‘The Munge’ b/w ‘Gas Human Being No. 1 / the Human Vapor,’ and ‘Moth Mandingo Effect’ 7-inch

Put on your 3-D glasses now.


Genki Genki Panic thrives on the fringes of the ecstatic, honing a musical aesthetic that eviscerates traditional notions of genre, while offering a dizzying array of threads to pull at every turn.

Hailing from the rolling and mystical expanse of terrain that lies between Atlanta, GA and Chattanooga,TN, GGP guitar and keyboard player Chris Moree, bass player Eric Waller, and drummer Chris Campbell’s musical bounds are as limitless as the landscape from whence the group sprouted. Each song draws inspiration from the deepest darkest recesses of pop culture.

It’s all on display in the three songs pressed onto the group’s first vinyl 7-inch — “The Munge” b/w “Gas Human Being No.1 The Human Vapor” and “Moth Mandingo Effect.”

Just a cursory scroll through GGP’s Bandcamp page reveals a deluge of musical excursions in which the group plays more notes in one measure than most technically skilled metal bands on the scene. Elsewhere, GGP mines the sonic palette of video game soundtracks and reassembles them to bear their own deranged adventures.

Layers upon layers of references come together around each new offering: A cover of the Deadly Ones’ “It’s Monster Surfing Time” blends album cover art from the Descendents’ Milo Goes To College with imagery from “Planet of the Apes.”

Ghoulie High Harmony *Director’s Cut is perhaps the greatest Boyz II Men reference that no one has ever caught. Still elsewhere, GGP’s sound and vision is a tangle of not-so-veiled nods to Bad Brains, OutKast, Big Black, Beetlejuice and classic horror film scenes, all tied together with an affinity for spooky vibes and haunted surf and sci-fi sounds.

“The Munge” (dubbed “The Munge Parasito” on the Bandcamp page) saunters in before the nearly three-minute tsunami jam takes over the song. “Gas Human Being No.1 / The Human Vapor” and “Moth Mandingo Effect” push the eerie irreverence beyond the record’s grooves, giving rise to a particularly twisted ambiance. It’s seemingly impossible to avoid being swept up in the group’s high-energy dirges, despite (or maybe because of) their defiantly wide-eyed ways.

Genki Genki Panic plays Hammerhead Fest 9.5 Sat., Nov. 27, at Boggs Social and Supply (outdoor stage) with Paladin, Order of the Owl, the Vaginas, Canopy, Black Candle, and Naw. $15. 4 p.m. (doors). 

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Holly West Crisis Revisited: The songs of the Cheifs, w/ Genki Genki Panic, May 8 at Burnt Hickory Brewery

Holly West Crisis Revisited: The songs of the Cheifs, once again, for the last time.

Chattanooga’s death-afflicted surf punk outfit Genki Genki Panic makes the trek to Kennesaw for back-to-back sets outside the brewery.

Between sets, guitarist Chris Moree will switch over to bass and join drummer James Joyce, guitar player Scott Hedeen, and singer Brad Castlen—the personnel from Bob Glassley’s reignited Cheifs circa 2016-2017—to play a six-song set of classic Cheifs numbers.

Free. 6 p.m. Burnt Hickory Brewery, 2260 Moon Station Ct NW # 210, Kennesaw, GA.

Read more about the Cheifs below …

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