Public Enemy’s ‘State Of The Union (STFU)’

Speaking truth to power has been standard operating procedure for Public Enemy since the group released its 1987 debut single, featuring classic cuts “You’re Gonna Get Yours,” “Rebel Without A Pause,” and “Miuzi Weighs A Ton.” Coming out of the gate strong amid the Reagan era, spouting Black outrage and ultra-political lyrical brilliance: “From a rebel it’s final on black vinyl / Soul, rock ‘n’ roll comin’ like a rhino,” Public Enemy made civil disobedience their calling card—their vocation.

Now, some 33 years later, the United States’ presidential administration goose-steps deeper into an Orwellian nightmare every day. The seemingly endless COVID-19 pandemic has killed nearly double the number of Americans who died as a result of the VietNam War. The streets in every major city are alive with fiery protests over police brutality. “The Terrordome” has come to your home.

The group’s co-founding vocalists, frontman Chuck D and hype man Flavor Flav, backed by powerhouse DJ Lord have risen again from the smoke and ash of so much turmoil with “State of the Union (STFU),” a new song and video that jump-starts Public Enemy’s timeless charge. When Chuck D raps, “History’s a mystery if y’all ain’t learning / End this clown show for real a state bozo / Nazi cult 45 Gestapo,” his intentions are made blisteringly clear. Now is the time to fight harder than ever against the forces of racism, tyranny, and oppression. “The rest of the planet is on our side,” Chuck says. “But it’s not enough to talk about change. You have to show up and demand change. Folks gotta vote like their lives depend on it, ’cause [they do].”

Invoking the power of the voting booth is an unexpected move in an era where the electoral system appears to have been hijacked; everyone from Russian President Vladimir Putin to Georgia Governor Brian Kemp have thrown wrenches into the gears at the poll booth. But the system is good and worth fighting for. It’s how laws are passed, and without it the Republic is lost. “Better rock that vote or vote for hell,” Chuck D raps as the song plays out.

Chuck and Flavor’s matter-of-fact delivery is particularly haunting in “State of the Union.” There is no joy when Flavor Flav delivers his repeating mantra: “State of the union, shut the fuck up / Sorry Ass mother fucker, stay away from me.” Chuck’s counter rhyme, “Vote this joke out or die trying,” is a no BS assessment from the weary but empowered outfit. The energy is propelled forward by DJ Lord’s spectral boom-bap rhythms and DJ Premiere’s bold, old school production. The cumulative experience and wisdom of Public Enemy’s decades-long legacy of navigating media pitfalls and broadcasting righteous sedition rings loud and clear under the hue of DJ Premiere’s modern sheen.

“State of the Union (STFU)” bears the marks of a more experienced outfit following P.E.’s 1980s peak when the group led the charge to “Fight the Power” in the streets of Brooklyn’s Bed-Stuy neighborhood, alongside hundreds—thousands of outraged New Yorkers. The instinct is there, sharper and more focused. Public Enemy has persevered in darkness amid eras of great change in the past. But when it comes to unfucking the world in this lifetime, the greatest obstacles lie ahead. STFU! Press play and let it ride.

Classic City Wax compilation captures a moment in Athens hip-hop

One of the more popular numbers from Athens rapper Squalle’s repertoire is a song called “Til We Fall.” For the artist born Torrance Wilcher, and raised in the Rolling Ridge and Pauldoe neighborhoods, the song is a hardcore statement of purpose.

“I’ve been on my mission from my birth,” Squalle rhymes. “My ambition I would like to give to the Earth/ And since you’re Mother Earth, you can share it with the world/ I wanna be the truth that our boys and our girls see/ I learned I was created from the dirt, so I gotta show these trees where they started from first.”

Squalle’s words are a community rallying cry—a decree to set an example by always remembering where you came from and never forgetting where you want to go. “Til We Fall” is one of 12 songs featured on a new compilation LP titled Classic City Wax, Vol. 1. The record is a survey of Athens’ brightest hip-hop artists, from Athens-Clarke County Commissioner Linqua Franqa to rising artists LG, Motorhead 2x, Son Zoo, LB, Kxng Blanco, DK, Cassie Chantel, The YOD, Caulfield and elder statesman Ishues. Continue reading at Flagpole Magazine.

Atlanta Music News: Soul Food Cypher turns 8 + new music from Upchuck, Arbor Labor Union, DKA, and more in the February issue of CL

THE CREW: Soul Food Cypher is calling on 100 emcees to join their ranks. Photo courtesy Soul Food Cypher

Since 2012, Soul Food Cypher has convened on the fourth Sunday of each month to showcase the positive and constructive role that rap music can play in shaping daily life. By concentrating on expanding consciousness through the craft and ingenuity of freestyle rap and spoken language, SFC builds structure by facilitating regular cyphers (a group of freestyle rappers rhyming in a cyclical motion, following each other’s lead) that foster creativity and a sense of camaraderie within the city’s underground hip-hop scene.

“Our aim is to provide Atlanta’s lyricist community with a safe and nurturing environment where their voices and artistry can grow,” says SFC’s executive director Alexander Acosta. “We look to solidify the art of freestyling as a genuine aesthetic to the wider artistic community and carry this rich tradition to the next generation.” Continue reading at Creative Loafing.

‘Flagpole’ feature: First Tuesday connects homegrown Athens, Atlanta hip-hop

john.AVERAGE photo by Deseri Rice.

Tuesdays have always been hip-hop nights for Athens—at least where Montu Miller is concerned.

Miller is the COO leading the charge for local promotions company AthFactor Entertainment. Alongside DJ Chief Rocka, he hosts the First Tuesday hip-hop series at The World Famous. First Tuesday was built on a foundation Miller started circa 2005, when he launched Tasty Tuesdays at Tasty World. Over the years, the event has bounced around downtown venues such as Caledonia Lounge and Live Wire, until settling into its current digs at The World Famous. In September, organizers will celebrate the monthly gathering’s third anniversary there.

The aim for First Tuesday has always been to facilitate Athens’ hip-hop scene with an event that fosters creativity by strengthening the community through networking and friendly competition.

“For years, we’ve invited out artists from the Eastside, the Westside, the Stonehenge community—bringing everybody together, so we have a more cohesive scene,” Miller says. “There really is just one community with a few little satellites and branches, but it’s all moving together as one at this point.” Read the full story at Flagpole.