Mastodon unveils new video for ‘Pushing the Tides’


Before the weekend gets underway, be advised that hometown metal titan Mastodon has rolled out a new video for the song “Pushing the Tides.”

It’s the first look and listen to the upcoming ninth album, Hushed and Grim, out October 29 via Reprise Records, just in time for Halloween. It’s a scorcher, too—a new number with a touch of that old Leviathan vibe right out of the gate.

The album was produced by David Bottrill (Peter Gabriel, Rush, Tool) and features a guest appearance by Soundgarden guitarist Kim Thayil. More info coming soon. In the meantime, press play and click the album cover below, courtesy of Paul Romano (Remission, Leviathan, Call of the Mastodon, Blood Mountain, Crack The Skye), for pre-order info.

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Mastodon: Live at Georgia Aquarium

Mastodon celebrate their 21st anniversary among the sharks at the Georgia Aquarium.

On Thurs., July 15, Bill Kelliher, Brent Hinds, Brann Dailor, and Troy Sanders play a live-streaming show amid the aquarium’s most elegant predators.

$19.99 (advance). $24 (day of show). T-shirt and poster bundles are available as well. $1 from each poster sold will be donated to the Georgia Aquarium.

The performance will be available on-demand for 72 hours starting July 16 at Midnight Eastern time. Your ticket will grant you access to this replay window.

In the meantime, Mastodon’s latest offering, “Forged by Neron,” appears on the soundtrack for Dark Nights: Death Metal Sonic Metalverse motion comic. Press play below.

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West End Motel: ‘New Years Day’


Happy New Year! West End Motel kicks off the new year with a new jam, appropriately titled, “New Year’s Day.”

Singer and co-writer Tom Cheshire offers up some intel on the song’s words and meaning:

‘Well New Year’s Eve has always been a celebration of just another year being alive, and this year it rings truer than ever. Yesterday, my friend Rob Kincheloe sent me a text saying ‘Happy New Year, if you’re alive you won.’

With ‘New Year’s Day,’ I wanted to write a love song, with a sense of humor in it, and a sense of hope. We always talk about these New Year’s resolutions but they only seem to last a week or two. That’s why there are lyrics in the verse like ‘I know I’ve made mistakes but this time we’re gonna be great,’ and ‘Talk to me on New Year’s Day, I’ll find a place for us to stay,’ and ‘This year is for me and you, all the things that we’re gonna do.’

I also wanted it to be a nod to ’70s soul. I was channeling Motown and the Jam when I started writing it. But Ben Thrower, who wrote it with me, said without realizing it we were flirting with the sounds of early E Street band.

Either way, I love the way it came out. I love the New Year’s horn riff that Ben Davis plays at the end. I guess it is a celebration of being alive and maybe finding love again.’

“New Year’s Day” is the fourth single from West End Motel’s ongoing campaign to roll out a new single each month till Spring. After that, they’ll turn around the fourth proper West End Motel full-length album.

Check out the previous singles:




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West End Motel: ‘Raisinha’


As promised, West End Motel is back with a new song for November.

This month, the group unveils “Raisinha,” a Brent Hinds-penned numbed that’s dedicated to his wife. “Raisinha” features Hinds taking the lead on vocals and guitar, while Tom Cheshire and Ben Thrower come in for the back up chorus. It’s a love song that ebbs into some power pop terrain, exploring a smoother and more blissful approach in ways that West End Motel hasn’t really embraced before. The songs is also a rich counterpoint to West End Motel’s most recently released singles, “All The Witches,” which arrived in October, and “New Wave Kid,” which arrived in September.

“Raisinha” is part of a larger work in progress. The plan is for West End Motel to drop a new single each month for the next several months. After that, the group will turn around the fourth proper West End Motel full-length album. In the meantime, press play above.

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Mastodon: ‘Fallen Torches’

Mastodon‘s latest single, “Fallen Torches,” is a longtime staple of the group’s repertoire, but has remained unreleased until now. The song—one of the first recordings made in the Mastodon-run Ember City Rehearsal Studios in Atlanta’s Capitol View neighborhood—is the opening number on Medium Rarities, a 16-song compilation gathering odds and ends from the past 20 years of the group’s history—7-inch singles, “White Walker” from the Game of Thrones soundtrack, instrumental outtakes, and various live recordings including a scorching rendition of Metallica’s “Orion.”

“Fallen Torches” also features a guest vocal growl courtesy of Scott Kelly of Neurosis. True to Mastodon form, the song could embody the perfect metaphor for American politics, the global climate crisis, human interaction eroding in the face of the internet … Or not. When taken at face value “Fallen Torches” is a white-hot neckbreaker driven by mammoth riffs and rhythms that rival the almighty white whale behind Mastodon’s classic 2004 LP Leviathan. Meaning lies in the ears of the beholder, albeit quite ferocious.

Medium Rarities is out September 11 via Reprise Records. In the meantime, check out another brand new Mastodon scorcher, “Rufus Lives,” which appears on the Bill & Ted Face The Music soundtrack.

Medium Rarities photo courtesy Reprise Records

West End Motel: ‘New Wave Kid’


West End Motel is back with a new single, titled “New Wave Kid,” a wistful song that frontman Tom Cheshire calls the group’s “positive jam for dark times.”

In the interest of full disclosure, I should say that I released West End Motel’s first 7-inch via Ponce de Leon Records back in 2008; a four-song EP featuring “Oh I’m On My Way” and “There’s Gotta Be More To This Life” b/w “Under My Skin” and “Women Come and Go.”

Really, though, West End Motel is a much different band these days from what it was back then, and it has been for a good long while. In the beginning, Tom Cheshire and Brent Hinds played and recorded as a wooly and red-eyed pair of poets, songwriters, and troubadours suspended in the aspic of Atlanta when the sun goes down—a derelict version of the city that no longer exists.

Will Raines (left), Brent Hinds, and Tom Cheshire. Photo by Josh Groom.


Hinds brought to the project a lifetime of experience playing parties, house shows, and stages large and small in bands such as hardcore outfit Four Hour Fogger, spectral surf rockers Fiend Without A Face, and the almighty Mastodon. Cheshire was the Atlanta by-way-of-Queens, New York statesman of punk rock singing the Rent Boys and All Night Drug Prowling Wolves’ songs about love and brotherhood, penned on whiskey-soaked napkins.

West End Motel, however, was something different. Their weird and tender acoustic songs—as though they were discovering their sound during loose, late-night recording sessions—found both Hinds and Cheshire bearing their hearts and souls in disarmingly unguarded sentiments. The vocal and guitar melodies teemed with beauty, depression, elation, and wisdom gained from hitting rock bottom and pulling yourself back up to face the sun one more time.

Since releasing that original 7-inch, the group has released three albums, toggling between major label offshoots with 2011’s Don’t Shiver, You’re A Winner (Rocket Science Ventures) and 2012’s Only Time Can Tell (Alternative Distribution Alliance) before taking matters into their own hands and self-releasing 2017’s Bad With Names, Good With Faces. The group’s personnel has expanded as well, incorporating Hinds’ Fiend Without A Face cohorts—bass player Stiff Penalty and drummer Troy King, along with a few other players.

As the story goes, “New Wave Kid” was born when Cheshire and Ben Thrower went into Audio Oasis in Bristol, Tennessee with producer Matt Smile. Cheshire sang and Thrower crafted the song’s rhythms and melodies on an acoustic guitar. They sent the song to Jeff Bakos in Atlanta where Stiff Penalty added bass and King added drums. Will Raines added majestic keys from his home in Brooklyn. Then they sent it to West End Sound where Tom Tapley recorded Hinds and Brian Kincheloe’s guitar parts, and Ben Davis’ saxophone and bells.

The result is a sterling trip down memory lane rising from layers of lush pub rock melodies and what is, perhaps, the most evocative vocal delivery of Cheshire’s career.

“New Wave Kid” is a catchy number that’s branded with intoxicating musical motions that crystallize all of West End Motel’s influences—Pogues-esque punk and rock ‘n’ roll, The Band’s roughly-hewn stride, power pop, and blue-eyed soul—into a stylish hybrid that’s tailored to Cheshire’s husky voice, which telegraphs so much of the band’s character.

The song is part of a larger work in progress. The plan is to drop a new single at the beginning of each month for the next six months. After that, they’ll turn around the fourth proper West End Motel full-length album. In the meantime, “New Wave Kid” feels like a watershed moment for the group’s ever-growing movement from ramshackle magic to a deliberate and stylish sound and vision.