86’s first two 7-inches restored and reissued

86: Max Koshewa (from left), Ken Schenck, and Mac McNeilly. Photo by Mary Alexander.

Chunklet Industries is dusting off a crucial piece of Atlanta’s post-punk and new wave past with an online reissue of 86’s first two singles. The trio—featuring Mac McNeilly (before his seismic drumming found a home in the Jesus Lizard), Ken Schenck’s jagged guitar lines, and Max Koshewa’s brooding bass—captured a restless energy that redefined the city’s underground music scene in the early ’80s.

“Useless” and “Behind My Back” were recorded at Southern Sound in Knoxville, Tenn. in July of 1983. “Youth Culture” and “Inside” were laid down a year later 1984. Both singles were originally released via Knoxville’s short-lived indie label OHP Records. Placed together here, both singles channel the urgency of the era while hinting at the band’s singular presence in Atlanta.

Audio restoration duties for this new issue fell to Jason NeSmith at Chase Park Transduction, where the songs were delicately digitized from the original vinyl 7-inches. NeSmith applied subtle de-clicking and EQ adjustments, preserving the grit and urgency of the recordings while amplifying their visceral punch.

86: Max Koshewa (from left), Ken Schenck, and Mac McNeilly. Photo by Mary Alexander.

While 86 is often remembered as the band that gave McNeilly his start, these singles cement the group’s place as a vital force in Atlanta’s music history. And this is only the beginning: Chunklet reportedly has a trove of unreleased recordings from the 86 archives queued up for release later this year.

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Tucker Riggleman & the Cheap Dates, Reconciler, Williamson Brothers, and Former Sinners of the Future play Culture Shock on January 24

Tucker Riggleman & the Cheap Dates. Photo by Corbin Lanker

The current lineup of Tucker Riggleman & the Cheap Dates calls a sprawling stretch of Appalachian terrain home. Drummer M. Tivis Clark hails from Lexington, KY. Bass player Mason Fanning lives in Morgantown, WV, and singer and guitar player Tucker Riggleman resides in nearby Fairmont, WV. With their latest album, Restless Spirit (WarHen Records), the group weaves a haunting blend of country grit and punk energy with a Southern-gothic ambiance. The raw honesty that binds songs such as “Shotgun,” “Bucket and the Boot,” and the album’s title track strikes a balance between traditional and contemporary regional sounds, turning the solitude of mountain living into a call for connection and resilience.


Restless Spirit was produced by Grammy-nominated Duane Lundy, who has worked with everyone from Kevn Kinney of Drivin N Cryin and Sturgill Simpson to Michael McDonald, Bela Fleck, and dozens of other artists. Together, Lundy and the Cheap Dates capture an electrifying blend of alt-country and indie rock.


Atlanta-based Americana punks Reconciler, Birmingham’s the Williamson Brothers (feat. Blake and Adam Williamson of Lee Baines & the Glory Fires),  and Former Sinners of the Future (a new band featuring mixed media artist Jeremy Ray) also perform.

Friday, January 24. Culture Shock, 1038 White St. SW ATL. $12 (adv). $15 (day of show). Doors open at 7 p.m. Music starts at 8 p.m.

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Nirvana at the Masquerade 1990 postcard set unveiled at Ella Guru Records Sat., Dec. 21

Photo courtesy The Chunklet Music Preservation Project.


Since forming the The Chunklet Music Preservation Project in 2022, Henry Owings has gathered a massive arsenal of rich and oftentimes overlooked Georgia and Southern musical history from Reconstruction times to the chitlin circuit, college rock, punk, hardcore, hip-hop, and beyond. More than 26,000 postcards, photographs, flyers, newspaper ads, and more have been scanned and added to the Chunklet archive.

This Saturday, December 21, Ella Guru Records will host an unveiling of a limited-edition postcard set documenting Nirvana’s first Atlanta show on May 6, 1990 in Heaven at the Masquerade. The 12-postcard set offers a snapshot of Kurt Cobain, Krist Novoselic, and Chad Channing’s fiery ascent. This was Nirvana pre-Dave Grohl, performing on one of Atlanta’s most storied stages.

“I’ve been fortunate to scan over 26,000 pieces of primarily Southern ephemera, and when special things come across the scan bed, I tend to take note,” Owings says.

“So I have any one of a number of collections that I’ve been given permission to use: R.E.M. at Piedmont Park ‘82, the B-52’s at Memorial Hall ‘78, Talking Heads at the Agora. But I just thought to myself if I can do this concept with any band it’s Nirvana—or the Beatles, but that’s impossibly rare—and let’s just see how it either comes together or falls apart. I’m curious to see how it does.”

Victoria Nicholson, a Wax ‘n’ Facts alum and music superfan, was at the show with her point-and-shoot camera, capturing eleven ethereal photos of Nirvana from the side of the stage. 

Photo courtesy The Chunklet Music Preservation Project.

Heaven in the Masquerade’s original location was around a 1,000-1,300 capacity venue. It is estimated that 150-200 people were in attendance for this show. It was a from the sold-out arenas the band would soon command on the heels of releasing Nevermind

Kelly Stringer, another attendee that night, had the foresight to snag a flyer off the wall and a small calendar advertising upcoming shows at the Masquerade. Together, these artifacts tell the story of a band on the brink of stardom, performing for a crowd that barely filled the room at the Masquerade’s former North Avenue location.

Owings has restored these relics, compiling them into a machine-numbered edition of 50 postcards with a restored version of the flyer.

Stop by Ella Guru from noon to 3 p.m. and grab a set—along with a margarita or two. All proceeds benefit the Chunklet Music Preservation Project. 

Ella Guru Records is located at 2747 Lavista Rd, Decatur. 404-883-2413.

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King Buzzo & Trevor Dunn, JD Pinkus, and Void Manes play the Masquerade on Fri., Sept. 13

Trevor Dunn & King Buzzo. Photo by Mackie Osborne

King Buzzo, the singer, guitar player, and frontman of the almighty Melvins joins composer and Ahleuchatistas and Mr. Bungle bass player Trevor Dunn for the long-awaited “King Dunn” acoustic summer tour.

Over the years, Buzz and Dunn have worked on several projects including Fantômas, the Melvins Lite 2012 album Freak Puke, and the 2022 LP titled Gift Of Sacrifice. Their most recently released collaborations arrived in 2022 as two four-song EPs titled Invention Of Hysteria (Amphetamine Reptile Records) and I’m Afraid Of Everything (Riverworm Records). In April 2024, they released another EP titled Eat The Spray (AmRep). These songs materialized as pandemic restrictions were lifting, which is to say they haven’t had much time for touring with this material together until now.


For those who are unfamiliar, Buzz and Dunn’s paired-down offerings do not yield the full-bore sonic onslaught of distortion and wild rhythms that one gets from a Melvins or Mr. Bungle record. There are no drums. However, when playing one-on-one they craft a spacious atmosphere that ranges from cinematic to downright haunting, summoning a dark ambiance from the natural resonance of their respective voices and stringed instruments. Each song delivers an ominous traipse of psychological and physical tension by subtle but no less affecting means.

Photo courtesy J.D. Pinkus

J.D. Pinkus of the Butthole Surfers, Daddy Longhead, sometimes the Melvins, and more lands in the middle slot commanding a set of cosmic banjo strumming from the deranged outer limits. It’s all set to a beautifully hallucinatory visual display. Press play below to check out a couple of cuts from Pinkus’ latest offering, Grow A Pear!

Void Manes photo by Buzz Osborne

Atlanta-based abstract electronic project Void Manes sets the night in motion with a dazzling array of modular synths and analogue gear wrapped in a galaxy of multi-colored cables. The one-man outfit explores dreamtime and nightmare soundscapes, striking a balance between atmospheric noise and melody; drones and sub-bass swells that rise and fall in fugue-like moments of rhythms, sonic impressionism, and chaos.

$25 (adv). $30 (door). Monday, April 29. 7 p.m. The 40 Watt Club in Athens.

$29.50 (advance). Friday, September 13. 7 p.m. (doors). The Masquerade (Hell).

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