Radfest returns! Friday, January 19 at Eyedrum Art & Music Gallery


Radfest is back after a three-year Global pandemic hiatus! RadATL’s founder celebrates one more year around the sun, this time at Eyedrum Art & Music Gallery on Friday, January 19.

This year’s show features performances by seven post-punk, post-hardcore, and pure noise greats spread across two stages. 

Photo courtesy x.nte

Athens-based cassette label \\NULL|ZØNE// gets the party started with a showcase of Georgia-bred noise acts including x.nte, Grant Evans (of Quiet Nights), and label boss Michael Potter’s own project The Electric Nature. Each act is cranking our short, powerful sets that challenge the traditional notions of what music is, and what it can be. Potter has been on the frontier of this scene for a long time, and it’s been far too long since his last Atlanta appearance, so it’s great to have him back.


Gebidan photo by Geoff Knott

Gebidan marks its live debut. The recently founded four-piece features Mike Patton of Orange County’s late ‘70s hardcore outfit Middle Class. The group is often hailed as the first North American hardcore act EVER. Patton’s musical resume also includes time spent playing with Jack from TSOL in the band Cathedral of Tears. He was also in Eddie And The Subtitles, and Trotsky Icepick. But really, check out his credentials on Discogs to see that he worked as a producer and backup vocalist on the Adolescents’ self-titled “blue album.” He also produced the Minutemen’s “Joy” single, along with a handful of other Minutemen releases.  

Patton lives in Georgia these days and is singing and playing bass with the new outfit. Gebidan’s first recordings find the group embracing a more abstract, psychedelic take on indie and alternative rock songwriting. Great stuff!

tONY cURTIS photo by Ellen McGrail

WREK 91.1 FM’s “Destroy All Music” co-host and bass player Tony Gordon teams up with guitarist Curtis Stephens for tONY cURTIS. Together, they create a scrapping, smoldering grind of earth rattling textures. Gordon (also of FREEBASS, Zandosis, and Charlie Parker fame) is well aware of the power of subtlety, especially when it’s blasted at maximum volume. The 11 numbers that make up their latest release tc2 lull the ears and the brain into a meditative state by commanding a deeper level of ecstatic listening. Beyond rhythm, beyond melody, and beyond the drone lie the pure sonic textures of steel strings, and they are teeming with abstract beauty and limitless possibilities for the imagination.


Photo courtesy Whiphouse

Whiphouse brings a high-energy and death-afflicted punk dirge to the stage. It’s one of my favorite new bands to emerge from these parts in quite some time. Lots of homies in this group! Michael Keenan, Mike Bison-Beavers, Debbie Beat, Stanley Jackson, and one of my favorite former interns Kelly Stroup! It’s just an awesome assemblage of people tearing up on stage the only way they know how.

Loud Humans

Loud Humans close out the show. More info. coming soon.


This is an ALL AGES SHOW! Doors open at 7 p.m. $10 gets you in. Fri., Jan. 19. 515 Ralph David Abernathy Blvd. Park in the lot across the street if the side street and front lot are full.

Thanks to this year’s sponsors! Eyedrum, Topo Chico, Pabst Blue Ribbon, Emory University’s Stuart A. Rose Manuscript, Archives, and Rare Book Library, Record Plug Magazine, The Tight Bros. Network, and to Dain Johnson who created this year’s magnificent flyer.

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Saddam Death Cave, Scratch Offs, and Blood Circuits play The Earl on Friday, December 8


Saddam Death Cave, Scratch Offs, and Blood Circuits play The Earl on Fri., Dec. 8. $12 (advance). $14 (day of show).

All three bands on stage this evening feature longtime friends who cut their teeth in a more civilized era of hardcore, post-hardcore, and indie rock—the ‘90s. Now, they’re elder statesmen of the scene, raising the bar high while fusing furious rock, noise, and angular riffs without pretense. It’s called experience, kids.

Photo courtesy of Blood Circuits

SCRATCH OFFS: Photo by Steve Pomberg


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Scratch Offs hit hard with debut album ‘Tidal Wave’

SCRATCH OFFS: Photo by Steve Pomberg 

Scratch Offs hit hard with Tidal Wave, an 11-song debut that distills the traditions of post-hardcore’s top-tier and most forward-thinking luminaries—Fugazi, Hot Snakes, Jawbreaker, Quicksand, Helmet, et. al.—into a streamlined and modern-sounding opening salvo.


Variety is key when propelling vocalist Mike Ligocki’s penchant for screaming melodic catharsis. Ligocki’s voice sits high atop guitar players David Lane and Jason Beebe’s winding riffs, melodies, and leads in songs such as “Puma,” B.Y.R.,” and standout cuts “Hand Replacements” and “The Chapel.” Each number draws out a balance of naked and gnarly emotions with driving force.

Bass player Lloyd Benjamin and percussionist Greg Stevens’ pounding rhythms show off depth and confidence. Together, their musical chemistry epitomizes strength, intelligence, and a full-bodied groove while exploring complex structures and tense dynamics, never losing sight of the rhythm and the sprinting momentum of the song they’re playing. The flexed arrangements of “Mountain of Light” and the powerful charge of “Jesus Night” and “Text Fight” are steeped in unrelenting tension and atmosphere—the accumulated experiences of a band made up mostly of Atlanta punk and post-hardcore scene vets. Lane plays in Skin Jobs, and has been playing alongside Stevens since circa 2001 when they made up the rhythm section for noise rock trio Hex Error.

Benjamin was in All Night Drug Prowling Wolves and is in Uneven Lanes with Stevens, who also plays in Total Peace Band. Beebe played in the Liverhearts and recorded a grip of singles for Rob’s House Records in the early-to-mid aughts. Ligocki is a Maryland-born, New York City transplant who cut his teeth playing with East Coast bands Bound & Buried (with Matt Krupanski from Boy Sets Fire on drums), Habits, and Killtakers. Look them all up! As such, Tidal Wave is an accomplished and formidable collection of fast-urgent punk and post-hardcore anthems that draw from the past to promise a bright future.

Scratch Offs play The Earl on Fri., Dec. 8, with Saddam Death Cave and Blood Circuits. $12 (adv). $15 (day of). 8 p.m. (door). 8:30 p.m. (music starts).

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Long-lost Hex Error tape unearthed

HEX ERROR: David Lane (from left), Jason Hatcher, and Greg Stevens.

On June 19, 2003, bass player David Lane, drummer Greg Stevens, and singer and guitar player Jason Hatcher of Hex Error went into Zero Return Studios with Rob del Bueno, aka Coco the Electronic Monkey Wizard of Man? Or Astro-Man?.

The plan was to cut the instrumental tracks for six new songs the group had been working on since releasing their self-titled debut CD in 2001. Vocals were to be recorded during another session later on down the line. The rising noise rock three-piece was slashing its way through the local scene, playing shows at venues such as Lenny’s and the Earl, and landing spots at the day-long Corndogorama indie rock festival.

Alas, this fatal afternoon at Zero Return, now dubbed Maze Studios, was Hex Error’s last studio session. Hatcher, Stevens, and Lane broke up before vocals were recorded and the three never looked back.

Since then, Lane has long served as singer and guitar player with the band Skin Jobs, who released their debut album Def Bods in 2021. Stevens has spent time playing with various bands, and currently plays in the groups Uneven Lanes with Benjamin, as well as Total Peace Band. Lane and Stevens also currently play in the post-punk outfit Scratch Offs.

Hatcher died on February 20, 2022.

While doing some housekeeping during the pandemic, del Bueno discovered a 2-inch reel of the sessions and passed it along to Stevens.

The recordings offering a stark and compelling glimpse at what was a quickly evolving musical outfit. The  crushing grooves that drive the opening number, “Death From Above,” and the dissonant energy of “Greed” capture a mastery of songwriting dynamics. “Social Leprosy” and the wide-eyed “Time” show off instincts that move far beyond the nascent, teeth-gnashing dirges of their self-titled 2001 debut. The instrumental recordings as they are rendered here capture Hex Error in gloriously muscular and sophisticated form.

Stevens took a few minutes to talk more about the recording.

Greg Stevens: The tapes had been in storage at Zero Return until the pandemic. During that time, Rob del Bueno let me know he had come across this 2-inch reel of tape from our final recording session. Jason passed away a year or so ago, so we figured it would be a fitting memorial to him to release this EP 20 years after the initial recording.

The initial recording wasn’t altered in any way. We had completed all of the basic tracking at the session on 6/29/03. That said, we broke up before we could complete the vocals, so these are instrumental tracks only. Given that Jason had passed, there wasn’t an opportunity to add vocals to anything. So we ended up putting the finishing touches on it, as is. We worked with David Barbe for the mixing of the 2-inch tape out at Chase Park in Athens and Carl Saff for the mastering.

David Lane and I have been playing music together off and on for the past 20 years. It has been interesting releasing these tracks from 20 years ago while at the same time we are putting the finishing touches on the upcoming Scratch Offs record.  So from that perspective it’s interesting to see how much we have both grown as musicians over the past couple of decades. We’re really proud of how far we took the Hex Error sound all those years ago, and we’re excited about exploring different sonic territories with Scratch Offs.

The opening track, “Death from Above,” really highlights what we could have accomplished had we not called it a day. We had started working within longer song structures and more intricate polyrhythms. That one was a crowd favorite, whether we were playing in Atlanta or out on the road.

All of these songs had lyrics. We performed all of them live back in the day. So, yes, lost to the sands of time.

Not at this time. We decided to self-release this digitally mainly for archival purposes. But if a label was so inclined, we’d definitely be into it.

We just got the final master back from Carl Saff a couple of days ago. We’re aiming for a digital release in the next couple months, before we do our next batch of shows. We’re playing with Bass Drum of Death and Small at the Earl on September 7, and then headed to Florida for some dates shortly after that.  So it would be good for people to have a frame of reference aside from the live experience. Right now, the consensus is to call the record Tidal Wave.

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Hammered Hulls, Gentleman Jesse, Clear Channel, and Scratch Offs play The Earl on Fri., Jan. 20

HAMMERED HULLS: Photo by Claire Packer

Hammered Hulls play The Earl on Fri., Jan. 20. Alec MacKaye (Faith, Ignition, the Untouchables) fronts a lineup of veteran players that includes guitarist Mark Cisneros (the Make-Up, Kid Congo Powers and the Pink Monkey Birds), bass player Brendan Canty (of Fugazi, the Messthetics, et. al. standing in for Mary Timony), and drummer Chris Wilson (Ted Leo + Pharmacists, Titus Andronicus).

The group is touring behind the October arrival of its debut full-length, Careening (Dischord Records). The album was produced by Minor Threat, Fugazi, and Dischord Records’ co-founder (and Alec’s brother) Ian MacKaye, and was recorded at Don Zientara’s Inner Ear Studio. With Careening, Hammered Hulls carries Washington D.C.’s post-hardcore and post-punk legacies into powerful and direct new musical terrain with the winding rhythms of songs such as “Bog People” and “Rights and Reproduction,” and the slower tempos of “Not Gone” and “Mission Statement.”

Gentleman Jesse Smith also performs, backed by a lineup featuring bass player Chris McNeal, drummer Sean Zearfoss, and Milton Chapman on keys.

D.C. post-punk quartet Clear Channel and Atlanta’s Scratch Offs also perform. $15 (adv). $17 (at the door). 7:30 p.m. (doors). 8 p.m. (showtime).

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Victory Hands ‘Braden’ 7-inch release party with MTN ISL, Skin Jobs, and Scratch Offs at Sabbath Brewing on Sunday, May 15

Victory Hands play the “Braden” 7-inch release party at Sabbath Brewing in EAV on Sunday, May 15. MTN ISL, Skin Jobs, and Scratch Offs also perform.

This show will mark Scratch Offs’ debut performance, so get there early.

… And if you don’t already know, Victory Hands releases are all named after journalists who were blacklisted by former President Richard M. Nixon leading up to his impeachment. Hence the titles of their previously released singles, “Bishop,” “Bernstein,” and “Anderson.”

Free. 2 p.m. (doors). 3 p.m. (show). 530 Flat Shoals Ave. SE.


Checkers Hot Dog Emporium will also be on deck. Check out Tricky Dick-themed menu suggestions below. … And yes, there will be veggie dogs for the veggie folks!


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