Vision Video: ‘Organized Murder’

Vision Video is back with a new video for “Organized Murder,” taken from the group’s debut album, Inked In Red.

This one ain’t for the faint of heart! “Organized Murder” is the fourth video released by Athens’ gothic rock luminaries, following videos for “Inked In Red,” “Comfort in the Grave,” and “Static Drone.” The song also bears the sharpest teeth when it comes to wrapping the group’s stylized mastery of darkness, light, and melodic hooks around a poignant statement. 

The song opens with a chilling bit of dialogue taken from make-up artist Tom Savini’s reimagining of the classic horror film Night of the Living Dead. Ben, a character played by actor Tony Todd, delivers these particularly chilling lines while coming to terms with the zombie apocalypse that’s unfolding around him: “This is something that nobody has ever heard about, and nobody has ever seen before. This is hell on Earth… This is pure hell on Earth.”

Set to director Erica Strout’s visual accompaniment, “Organized Murder” leaps into action as a fitting metaphor for what the group describes as America’s fetishization of “violence, force, and warfare on behalf of ‘the greater good.’”

A statement released with the video goes on to say that: “This is a representation of my experiences watching systematic violence used on behalf of morally bankrupt political ideologies to meet their ends and economic hegemony by military domination across the third world.”

Press play and let it sink in.

Read the Flagpole Magazine feature story, “Inked in Red: Vision Video Processes War, Trauma and Loss Through Goth Rock.”

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Vision Video: ‘Static Drone’

Vision Video’s singer, guitar player, and principal songwriter Dusty Gannon’s story follows a trajectory from listless teenager to Afghanistan War veteran to a firefighter and paramedic on the frontline of an ongoing pandemic. It’s an arc that’s perfectly illustrated by the euphoric pop and melancholy of the group’s latest single, “Static Drone.” 


Taken from the group’s forthcoming debut album, Inked In Red (out April 16), “Static Drone” carries an intense release of physical and emotional angst; a real-time experience of grappling with deteriorating mental health while adapting to life and confronting mortality while working at a Metro Atlanta fire department. “I wrote ‘Static Drone’ in the middle of some intense manic episodes where my mental health had completely unraveled,” Gannon says. “There was this peculiar month-long period of time at my fire station when we were dealing with a death almost every shift, and it was mirroring my internal sentiment that I was beginning to feel like everyone was tragically fated to die alone.”

In light of confronting such heavy existentialism, though, “Static Drone” also brings with it a sliver of hope, and an outlet for exorcising these personal demons. “It’s one of my favorite songs to play, because I still feel that dropping panic when we shift to the chorus,” Gannon says. “It’s an intense, but cathartic track for me, and I feel like it truly set the pace for this record.”

In May of 2020, Vision Video’s “In My Side” b/w “Inked In Red” 7-inch stirred up an ethereal post-punk exuberance, underscored by new wave and goth-tinged pop melodies. The lead single, “In My Side,” is a direct descendant of New Order’s “Age of Consent” from the 1983 album Power, Corruption & Lies. On the B-side, “Inked In Red” channels the baroque and romantic pop atmosphere of the Cure’s ‘89 album Disintegration. Singer and keyboard player Emily Fredock, drummer Jason Fusco, and bass player Dan Geller pushed their burgeoning sound to bold and stately places.

Soon after, a cover of British post-punk outfit Ski Patrol’s 1979 anti-war anthem “Agent Orange” followed, capturing Gannon’s most vexed performance yet—made poignant by rich sonic flourishes courtesy of producer Tom Ashton (The March Violets, Clan of Xymox).

“Static Drone” raises the bar on all fronts. The song pops with shimmering confidence, energy, and a dramatic vocal attack that borders on the sublime while ascending to an ecstatic state of a macabre inward journey, further cementing the group’s place as the most exciting dance-rock act to sprout from Athens’ storied musical landscape in quite some time.

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