Club Silencio brought the music of David Lynch to The Garden Club at Wild Heaven on Friday, January 23

Meghan Dowlen of Club Silencio. Photo by Jeff Shipman.

On January 23, The Garden Club at Wild Heaven transformed into a darkened threshold between worlds as Club Silencio paid loving tribute to the music of David Lynch’s films and television series. Billed as a celebration of what would have been Lynch’s 80th birthday, the atmosphere ebbed and flowed with a deep knowledge of just how much this music breathes, trembles, and rumbles.

The night began with a Morphine cover dubbed Cure For Pain, which found saxophone player Ben Davis joined by bass player and vocalist David Railey, and drummer Robbie Nelson paying homage to Cambridge, Mass’ once great low rock trio. The group’s set was a well-balanced counterpart to Club Silencio, crafting an atmosphere that was both fun and foreboding while channeling Morphine’s slow-burning fusion of jazz, blues, and alternative rock in songs such as “You Look Like Rain” (featuring Matt Coleman), “Cure For Pain,” and “Honey White.”

Club Silencio photo by Jeff Shipman.

Club Silencio drew from the haunted lullabies and skronking unease of soundtracks from films such as Eraserhead, Blue Velvet, Wild at Heart, Inland Empire, and, of course, Twin Peaks. Vocalist Meghan Dowlen brought a commanding presence to the stage, her voice equal parts torch song and apparition, while the band—Jeffrey Bützer on guitar, TT Mahony playing keys, saxophone player Ben Davis, bass player Matt Steadman, guitarist Henry Jack, and drummer Sean Zearfoss—proved deeply fluent in Lynch’s cinematic language of mood, menace, and overdrive. “The Pink Room” and Julie Cruise’s “Rocking Back Inside My Heart” from Twin Peaks laid the ground for the band to show off some of it’s own flare while taking on the Lynchian hits: “In Heaven (Lady in the Radiator Song)” from Eraserhead, Roy Orbison’s “In Dreams” from Blue Velvet, and Chris Isaak’s “Wicked Game” from “Wild At Heart.”

EDITOR’S NOTE: The evening peaked for me when I was unexpectedly invited to sit down on the stage with Bützer, Davis, and Dowlen while they serenaded me with the painfully sincere “Just You” a.k.a. James’ sappy acoustic love song from Twin Peaks. It was just a few days after my birthday, and for as much trash as I talk about James’ character, the situation was hilarious. Davis nailed those exaggerated high notes with a devotion to the bit—trusting the audience to follow his lead, never spelling anything out—pushing past sincerity and into something beautifully, mischievously funny. After all, humor has always been an integral part of Lynch’s films as well.

Lynch once said that “music is a ‘magical’ tool that can convey emotions and moods faster and more directly than film.” Club Silencio understands this instinctively, and honored the notion by trusting atmosphere, feeling, and form above all else.

Check out a gallery of images from the show below. All photos by Jeff Shipman.

The setlist
“Pink Room” / “Ghosts of Love”
“In Heaven (Lady in the Radiator Song)”
“Love Letters”
“Blue Velvet”
“I’m Waiting Here”
“That Magic Moment”
“Just you”
“Rockin’ Back Inside My Heart”
“Wiked Game”
“Into the Night”
“Song to the Siren”
“Sycamore Trees”
“Locomotion”
“In Dreams”
“Falling”

Check out more releases featuring Club Silencio’s players


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Club Silencio: A Celebration Of David Lynch’s Birthday at The Garden Club on Friday, January 23

CLUB SILENCIO. Photo courtesy Jeffrey Bützer

“Where we’re from, the birds sing a pretty song and there’s always music in the air.”
— The Arm

On Friday, January 23, at The Garden Club at Wild Heaven, Club Silencio pulls back the red curtain to revel in the music of David Lynch’s cinematic universe.

For this celebration of what would be Lynch’s 80th birthday, Club Silencio features some of Atlanta’s finest players delving into the moody tones and skronking beauty of sountracks from Eraserhead, Blue Velvet, Wild at Heart, Inland Empire, and of course, Twin Peaks. Finding balance in that precarious space between the tangible world and wandering deep inside the dreamlike qualities of Lynch’s works, each number lingers in the air where silence and space are as important as rhythm, melody, and dissonance—much like the films they accompany.

Lynch was unafraid to examine the outer limits of Americana from every angle, especially when that vision exposed somehting dark lying just beneath the surface. Club Silencio honors the beauty, dread, and strange familiarity that’s baked into Lynch’s vision.


The ensemble includes vocalist Meghan Dowlen, guitar player Jeffrey Bützer, pianist TT Mahony, alto saxophone player Ben Davis, bass player Matt Steadman, and guitar player Henry Jack, and drummer Sean Zearfoss—all of whom are well-versed in conjuring Lynch’s cinematic language of emotion and atmosphere.

$17.28 (advance). $22.54 (day of). 7 p.m. (door). 8 p.m. (music). 1010 White St. SW.

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Shane Parish unveils live ‘Solo at Café OTO’ LP

Shane Parish: Solo at Cafe Oto (Red Eft Records). Cover photo by Petra Cvelbar.

Shane Parish has unveiled details for an evocative new album, titled Solo at Café OTO, due out July 1, via his own label, Red Eft Records.

Captured live in London on November 14, 2023, the album showcases Parish in full exploratory mode, performing an instrumental fingerstyle electric guitar set drawn from a deep well of British and American folk traditions. The performance took place during a sold-out evening of solo sets the night before Bill Orcutt’s Guitar Quartet appearance at the London Jazz Festival.


The album’s first single, a rendition of Angelo Badalamenti and David Lynch’s “Sycamore Trees,” from the Twin Peaks soundtrack, sets the tone for a dark, drifting, and emotionally resonant album. Parish also leans into the melancholy and mysticism of folk ballads by Anne Briggs, Shirley Collins, and John Jacob Niles, reinterpreting them with his own idiosyncratic voice and a minimalist rig: just a Fender Squier Telecaster plugged directly into the house amp. It’s the same guitar he used for 4 Guitars Live at Le Guess Who? Festival in Utrecht the night before—a gift from Bill Orcutt, passed down when Parish joined the four-guitar ensemble.

Parish’s 2024 release, Repertoire (Palilalia Records) featured tight arrangements of outsider standards from various musical genres—Kraftwerk’s “Europe Endless,” Alice Coltrane’s “Journey Into Satchidananda,” Aphex Twin’s “Avril 14th,” John Cage’s “Totem Ancestor”—allowing their melodies and their vital essences to take on a gently glowing body via the resonating steel strings of his guitar. With Solo at Café OTO, Parish summons a raw and intuitive performance that’s closer in spirit to 2016’s Undertaker Please Drive Slow (Tzadik). Here, each melody becomes a jumping-off point for spontaneous invention, with Parish letting the songs drift, fracture, and reform as if guided by wind and water. The result is both intimate and expansive—an arresting document of a singular guitarist at the height of his expressive powers.

Click here to pre order Solo at Café OTO.

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Club Silencio: Music From The Work Of David Lynch at The Earl on Thursday, March 13

On Thursday, March 13, an ensemble of Atlanta’s finest players are gathering at the Earl to pay homage to the music heard throughout director David Lynch’s films. The cast includes Ben Davis playing tenor saxophone, T.T. Mahony on keys, Jeffrey Bützer playing guitar, Sean Zearfoss on drums, Henry Jack playing bass and baritone guitar, and Meghan Dowlen singing alongside Don Chambers and Compartmentalizationalists.

Press play below to sample their repertoire.

Club Silencio: Music From The Work Of David Lynch at The Earl on Thursday, March 13. $15 (adv). $18 (day of show). Doors open at 7:30 p.m. Music starts at 8 p.m.

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MSSV, Blood Circuits, and W8ING4UFOS play Boggs Social & Supply on Thurs., Oct. 26

MSSV: Stephen Hodges (from left), Mike Watt, and Mike Baggetta. Photo by Devin O’Brien

It’s misleading to call MSSV an experimental rock trio, as these three elder statesmen of the underground know exactly what they’re doing. Still, bass player Mike Watt, guitarist Mike Baggetta, and drummer Stephen Hodges craft a fluid, mostly-instrumental body of work that flows beyond the confines of their impressive collective resumes. Hodges has performed with the likes Tom Waits, David Lynch, Wanda Jackson, and Mavis Staples for years. Baggetta has collaborated with everyone from Bob Stagner of Chattanooga’s Shaking Ray Levis on the Triage album to legendary session drummer Jim Keltner. And, of course, Watt raised the bar high for American punk and indie rock playing bass and singing with the Minutemen, fIREHOSE, and via scores of solo releases and offshoot ensembles. Together, MSSV hones in on a rhythm, a groove, or a subtle shift in sound to explore and expand upon with each new number. Their approach is part composition, part improvisation, and part file-under-some-other form of silent musical telepathy that is as sophisticated as it is undeniably catchy.

MSSV is on the road playing songs from their second studio album Human Reaction, due out Sept. 1 on Big Ego Records.

Atlanta’s noisey post-punk newcomers Blood Circuits (featuring former members of Free Masonry, Gaijin, Remuxers, Hal Al Shedad, and Car Vs. Driver) and the city’s quintessentially baroque chamber-punk balladeers W8ING4UFOS set the night in motion.

$15 (adv). $20 (door). 7 p.m. Thurs., Oct. 26. Boggs Social & Supply.

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