The Legendary Pink Dots and Orbit Service play the Masquerade (Purgatory) on Friday, October 17

LPDs: Randall Frazier (from left), Erik Drost, and Edward Ka-Spel. Photo by Joep Hendrikx.

The Legendary Pink Dots return to Atlanta on Friday, October 17, bringing 45 years of beautifully warped psychedelic mysticism to the Masquerade’s Purgatory stage.

Since forming in London in 1980, the Pink Dots have carved out a singular space in the underground—too strange for pop, too melodic for noise, too abstract for goth, and too open-ended to be called industrial music. Led by enigmatic vocalist and founding member Edward Ka-Spel and rounded out by Randall Frazier (synths, samples, and electronics), Erik Drost (guitar), and Joep Hendrikx (live engineering and effects), the LPDs weave together surreal narratives and immersive, cinematic soundscapes that take shape like dispatches from a fever dream.

The group’s catalog spans countless albums, each one a kaleidoscopic swirl of experimental electronics, post-punk texture, avant-garde noise, and darkly poetic meditations on the human condition. On stage, their shows become ritualistic experiences—hypnotic and theatrical, blurring the line between performance and séance.

Erik Drost (from left), Randall Frazier, Edward Ka-Spel, and Joep Hendrikx. Photo courtesy the Legendary Pink Dots.

The LPD’s latest album, So Lonely In Heaven (Metropolis Records), finds the group at its most evocative, melancholy, and Orwellian in years, layering haunting synths, spectral melodies, and existential poetry into a deeply human meditation on isolation and transcendence. It’s a reminder that even after 40-plus years, the LPDs are still evolving; still chasing the unknown.


Bologna, Italy-based Orbit Service opens the evening with a set of deep, slow-burning atmospherics and haunted melodies. Featuring Frazier and Drost performing together, the duo builds patient, ethereal songs that hum with existential weight. They are the perfect gateway into the LPDs’ strange and beautiful world. The latest offering, Spirit Guide, leans deeper into cosmic territory, expanding its sound with shimmering drones, meditative textures, and a slow, patient gravity that feels like it’s tuning into another frequency.


For the faithful, this show is a rare chance to step back into the Dots’ orbit. For the uninitiated, it’s an invitation to get lost in one of experimental music’s most enduring and imaginative universes.

The Legendary Pink Dots and Orbit Service play The Masquerade (Purgatory stage) on Fri., Oct. 17. $23 (+fees). 7 p.m. This is an all ages show.

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Melvins, Napalm Death, Weedeater, and Dark Sky Burial play the Masquerade on Sunday, April 27

MELVINS (left to right): Steven McDonald, Buzz Osborne, Dale Crover, and Coady Willis. Photo by Toshi Kasai

The Savage Imperial Death March thunders into Georgia when Melvins and Napalm Death co-headline a double dose of doom, noise, and grinding intensity.

On Sunday, April 27, Melvins and Napalm Death come together for a massive display of sound and fury on the Masquerade’s Heaven stage. On Tuesday, April 29, the same bill rolls into Athens’ 40 Watt Club, bringing chaos to the Classic City.

The tour falls on the heels of the February 2025 release of Savage Imperial Death March, a six-song collaborative LP released via Amphetimine Reptile Records. The six-song release is a crushing, howling monster of an album that finds both bands playing together, seamlessly merging Melvins’ sludge-soaked throb and Napalm Death’s relentless grind.

Melvins are also touring behind their latest release, titled Thunderball (Ipecac Recordings). It’s also the group’s most recent full-length released under the Melvins 1983 moniker, featuring Buzz Osborne, Mike Dillard, Ni Maitres, and Atlanta-based abstract electronic project Void Manes.

For this tour, King Buzzo’s riffs steer the ship, backed by the dual-drum assault of Dale Crover and Coady Willis and Steven McDonald’s fuzzed-out basslines. This incarnation of the band reignites the early Melvins aesthetic with renewed purpose and fire.

Meanwhile, Napalm Death continues its decades-long campaign of sonic obliteration, riding high on the aftershocks of 2022’s Resentment is Always Seismic–A Final Throw of Throes. Vocalist Barney Greenway remains a force of nature, while the band’s grindcore assault remains both savage and surgical.

North Carolina sludge lords Dark Sky Burial—a bleak, ambient-industrial project helmed by Napalm Death’s bass player Shane Embury—and Weedeater set the tone for each night’s proceedings.

$32.50 (advance). 6:30 p.m. (doors) at the Masquerade. This is an all-ages show.

$35. 6 p.m. (doors) at 40 Watt. Under 18 with parent or legal guardian.

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King Buzzo & Trevor Dunn, JD Pinkus, and Void Manes play the Masquerade on Fri., Sept. 13

Trevor Dunn & King Buzzo. Photo by Mackie Osborne

King Buzzo, the singer, guitar player, and frontman of the almighty Melvins joins composer and Ahleuchatistas and Mr. Bungle bass player Trevor Dunn for the long-awaited “King Dunn” acoustic summer tour.

Over the years, Buzz and Dunn have worked on several projects including Fantômas, the Melvins Lite 2012 album Freak Puke, and the 2022 LP titled Gift Of Sacrifice. Their most recently released collaborations arrived in 2022 as two four-song EPs titled Invention Of Hysteria (Amphetamine Reptile Records) and I’m Afraid Of Everything (Riverworm Records). In April 2024, they released another EP titled Eat The Spray (AmRep). These songs materialized as pandemic restrictions were lifting, which is to say they haven’t had much time for touring with this material together until now.


For those who are unfamiliar, Buzz and Dunn’s paired-down offerings do not yield the full-bore sonic onslaught of distortion and wild rhythms that one gets from a Melvins or Mr. Bungle record. There are no drums. However, when playing one-on-one they craft a spacious atmosphere that ranges from cinematic to downright haunting, summoning a dark ambiance from the natural resonance of their respective voices and stringed instruments. Each song delivers an ominous traipse of psychological and physical tension by subtle but no less affecting means.

Photo courtesy J.D. Pinkus

J.D. Pinkus of the Butthole Surfers, Daddy Longhead, sometimes the Melvins, and more lands in the middle slot commanding a set of cosmic banjo strumming from the deranged outer limits. It’s all set to a beautifully hallucinatory visual display. Press play below to check out a couple of cuts from Pinkus’ latest offering, Grow A Pear!

Void Manes photo by Buzz Osborne

Atlanta-based abstract electronic project Void Manes sets the night in motion with a dazzling array of modular synths and analogue gear wrapped in a galaxy of multi-colored cables. The one-man outfit explores dreamtime and nightmare soundscapes, striking a balance between atmospheric noise and melody; drones and sub-bass swells that rise and fall in fugue-like moments of rhythms, sonic impressionism, and chaos.

$25 (adv). $30 (door). Monday, April 29. 7 p.m. The 40 Watt Club in Athens.

$29.50 (advance). Friday, September 13. 7 p.m. (doors). The Masquerade (Hell).

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