Mass Destruction Metal Fest IV feat. Repulsion, Nuclear Assault, Vimur, and more Nov. 5-7, 2021

Restless Nerve – Graphic Design

Due to the ongoing global pandemic, Mass Destruction Metal Fest IV has been postponed. A Rippin Production’s rescheduled annual metal fest is set to take over the Loft at Center Stage Friday through Sunday, November 5-7, 2021. Mass Destruction has been upgraded to a three-day gathering—current weekend pass holders will be allowed attend all three days.

Bands on this year’s lineup (so far) include Vio-Lence, Repulsion, Nuclear Assault, MonstrosityMassacre, Evoken, CenotaphUsurper, Thornspawn, MALIGNANCY, CruciamentumWITCHTRAPESTUARY, Antichrist Siege Machine, and Vimur. More will be announced soon. Stay tuned for more details as they become available.

Tickets are available now. $55-$150.

In the meantime, read Chad Radford’s CL feature story, “Vimur finds truth in the abyss: ‘Triumphant Master of Fates’ takes black metal to a grand scale”









Vimur finds truth in the abyss: ‘Triumphant Master of Fates’ takes black metal to a grand scale

MASTERS OF THE UNIVERSE: Vimur takes black metal into the void with ‘Triumphant Master of Fates.’ Photo by David Parham.

The cover art for Vimur’s second album, Triumphant Master of Fates features a painting by Portland, Oregon-based artist Adam Burke (of Nightjar Illustration), depicting a mountainous landscape divided by a river of blood. Standing atop a mountain, a lone traveler gazes into a massive black hole that has formed in the sky, radiating beams of light back at the viewer. It’s an arresting image that, like the cover of a 1950s pulp sci-fi novel, captures a climactic moment plucked from an epic journey.

For Vimur, Burke’s painting illustrates a moment of reckoning on a quest to find deep knowledge, a reverence for the expanding cosmos, and a vision of arcane knowledge, imperceptible when viewed through the lens of humankind’s earthbound senses. It’s also an enticing entry point that sets the tone for the Atlanta black metal outfit’s dive into a much older, colder, and infinitely larger universe than the Norse mythology hinted at with 2014’s Traversing the Ethereal Current and 2016’s Exegesis EP.

“The themes on the new album are all about seeking truth regarding the micro, the macro, the inner, the outer, darkness, and light; they’re about totality and all of its many dimensions,” offers the group’s singer, guitar player, and founding member, Vaedis Eosphorus. “In the past, I feel like I was just knocking on the door of concepts rather than fully opening the door and letting them come into me — come through me. I was exploring rather than exuding,” he says. Read the full story at CL ATL.