Club Silencio brought the music of David Lynch to The Garden Club at Wild Heaven on Friday, January 23

Meghan Dowlen of Club Silencio. Photo by Jeff Shipman.

On January 23, The Garden Club at Wild Heaven transformed into a darkened threshold between worlds as Club Silencio paid loving tribute to the music of David Lynch’s films and television series. Billed as a celebration of what would have been Lynch’s 80th birthday, the atmosphere ebbed and flowed with a deep knowledge of just how much this music breathes, trembles, and rumbles.

The night began with a Morphine cover dubbed Cure For Pain, which found saxophone player Ben Davis joined by bass player and vocalist David Railey, and drummer Robbie Nelson paying homage to Cambridge, Mass’ once great low rock trio. The group’s set was a well-balanced counterpart to Club Silencio, crafting an atmosphere that was both fun and foreboding while channeling Morphine’s slow-burning fusion of jazz, blues, and alternative rock in songs such as “You Look Like Rain” (featuring Matt Coleman), “Cure For Pain,” and “Honey White.”

Club Silencio photo by Jeff Shipman.

Club Silencio drew from the haunted lullabies and skronking unease of soundtracks from films such as Eraserhead, Blue Velvet, Wild at Heart, Inland Empire, and, of course, Twin Peaks. Vocalist Meghan Dowlen brought a commanding presence to the stage, her voice equal parts torch song and apparition, while the band—Jeffrey Bützer on guitar, TT Mahony playing keys, saxophone player Ben Davis, bass player Matt Steadman, guitarist Henry Jack, and drummer Sean Zearfoss—proved deeply fluent in Lynch’s cinematic language of mood, menace, and overdrive. “The Pink Room” and Julie Cruise’s “Rocking Back Inside My Heart” from Twin Peaks laid the ground for the band to show off some of it’s own flare while taking on the Lynchian hits: “In Heaven (Lady in the Radiator Song)” from Eraserhead, Roy Orbison’s “In Dreams” from Blue Velvet, and Chris Isaak’s “Wicked Game” from “Wild At Heart.”

EDITOR’S NOTE: The evening peaked for me when I was unexpectedly invited to sit down on the stage with Bützer, Davis, and Dowlen while they serenaded me with the painfully sincere “Just You” a.k.a. James’ sappy acoustic love song from Twin Peaks. It was just a few days after my birthday, and for as much trash as I talk about James’ character, the situation was hilarious. Davis nailed those exaggerated high notes with a devotion to the bit—trusting the audience to follow his lead, never spelling anything out—pushing past sincerity and into something beautifully, mischievously funny. After all, humor has always been an integral part of Lynch’s films as well.

Lynch once said that “music is a ‘magical’ tool that can convey emotions and moods faster and more directly than film.” Club Silencio understands this instinctively, and honored the notion by trusting atmosphere, feeling, and form above all else.

Check out a gallery of images from the show below. All photos by Jeff Shipman.

The setlist
“Pink Room” / “Ghosts of Love”
“In Heaven (Lady in the Radiator Song)”
“Love Letters”
“Blue Velvet”
“I’m Waiting Here”
“That Magic Moment”
“Just you”
“Rockin’ Back Inside My Heart”
“Wiked Game”
“Into the Night”
“Song to the Siren”
“Sycamore Trees”
“Locomotion”
“In Dreams”
“Falling”

Check out more releases featuring Club Silencio’s players


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Club Silencio: A Celebration Of David Lynch’s Birthday at The Garden Club on Friday, January 23

CLUB SILENCIO. Photo courtesy Jeffrey Bützer

“Where we’re from, the birds sing a pretty song and there’s always music in the air.”
— The Arm

On Friday, January 23, at The Garden Club at Wild Heaven, Club Silencio pulls back the red curtain to revel in the music of David Lynch’s cinematic universe.

For this celebration of what would be Lynch’s 80th birthday, Club Silencio features some of Atlanta’s finest players delving into the moody tones and skronking beauty of sountracks from Eraserhead, Blue Velvet, Wild at Heart, Inland Empire, and of course, Twin Peaks. Finding balance in that precarious space between the tangible world and wandering deep inside the dreamlike qualities of Lynch’s works, each number lingers in the air where silence and space are as important as rhythm, melody, and dissonance—much like the films they accompany.

Lynch was unafraid to examine the outer limits of Americana from every angle, especially when that vision exposed somehting dark lying just beneath the surface. Club Silencio honors the beauty, dread, and strange familiarity that’s baked into Lynch’s vision.


The ensemble includes vocalist Meghan Dowlen, guitar player Jeffrey Bützer, pianist TT Mahony, alto saxophone player Ben Davis, bass player Matt Steadman, and guitar player Henry Jack, and drummer Sean Zearfoss—all of whom are well-versed in conjuring Lynch’s cinematic language of emotion and atmosphere.

$17.28 (advance). $22.54 (day of). 7 p.m. (door). 8 p.m. (music). 1010 White St. SW.

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Fabio Frizzi brings ‘Zombie: Composer’s Cut’ to The Garden Club on Sat., May 17

Frizzi 2 Fulci. Photo courtesy OK Productions

On Saturday, May 17, Italian composer Fabio Frizzi brings his Zombie: Composer’s Cut live score to The Garden Club at Wild Heaven West End—a rare and visceral encounter with the music of one of horror cinema’s most revered partnerships.

Known for his haunting melodies and baroque-tinged arrangements, Frizzi’s work with director Lucio Fulci defined the aesthetic of Italian giallo films throughout the late ’70s and ’80s, most famously in The Beyond, City of the Living Dead, and Zombie.


This performance pairs Fulci’s 1979 film—a grim, gore-soaked masterpiece of undead terror—with a live rendition of Frizzi’s reimagined score. Originally composed with collaborators Franco Bixio and Vince Tempera, Zombie’s music blends prog, synth, and eerie atmospherics into something that feels both grandiose and uncomfortably intimate. With the Composer’s Cut, Frizzi revisits and reworks the material, building a dynamic new soundtrack performed live by his band.

Frizzi’s legacy spans decades of cinema and television, but it’s his work with Fulci that cemented his cult status. The Frizzi 2 Fulci project has taken his soundtracks to stages around the world. Now in its third iteration, the show brings Zombie to life in ways that are both faithful and revelatory.

Presented with a 4K restoration of the film, this immersive experience folds sight and sound into a ritual of dread and beauty. Whether you’re a horror fan or simply looking to be unnerved in the best way possible, Zombie: Composer’s Cut delivers pure, pulpy magic—and the most epic showdown between a shark and a zombie ever committed to film.

Zombie vs. Shark: A Scene from Lucio Fulci’s ‘Zombie’

$30 (adv). $35 (door). $60 (VIP). 7 p.m. (door). 8 p.m. (showtime). The
Garden Club at Wild Heaven West End.

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NoWordsATL 4.0 Spring Edition: A celebration of instrumental music at The Garden Club on Saturday, May 10


This Saturday, May 10, NoWordsATL 4.0 takes over the Garden Club at Wild Heaven West End on Sat., May 10, from 3:30-11 p.m.

This day-long festival is a celebration of instrumental, ambient, and experimental sound exploration—sans words—delivered in an environment that thrives on thick ambiance and both visceral and cerebral responses to the music.

Catch sets from an eclectic mix of forward-thinking artists, unfolding in a space that invites immersive listening. Think synth meditations, modular abstractions, steel strings, and guitar loops stretched into infinity amid light installations and projections turning the room into an ever-shifting canvas where sound and light mingle in real time. 


The Harmonic Continuum is an afro-futurist, multi-instrumentalist foursome featuring Doc Calico, Billy Fields, Kenito Murray, and Kenny Web playing jazz, punk, psychedelic, and experimental rock.


Rasheeda Ali is a Grammy nominated flautist who recently stepped out from the shadow of performing alongside greats like Jeff Mills and Kebbi Williams expressing next level cosmic explorations of sound using flute, synth, and drum machines.

Shane Parish is a guitarist, composer, improviser, and leader of the avant-rock band Ahleuchatistas. He’s also ¼ of Bill Orcutt Guitar Quartet, and a renowned acoustic soloist. 

Melodic Monster, featuring Ben Garden, is a psychedelic rock band that blends theatrics and effects in an unforgettable live show.

Alexandria Smith is an improviser/multimedia artist, trumpeter, and a professor of music at Georgia Tech, who has performed residencies at the Stone NYC, had feature recitals on the Future of New Trumpet (FONT) Festival West, Dartmouth’s Vaughan Recital Series, the VI Semana Internacional de Improvisación in Ensenada, Baja California, and Tulane University.

Spacers blend Kraut Rock and African rhythms to psychedelic effect.

Jeffrey Bützer is a multi-instrumentalist who plays accordion, toy piano, guitar, electric piano, chord organs, glockenspiel, melodica, banjo, and other noise makers to create a cinematic world of sound.

The Atlanta Improvisers Orchestra is a collective of experimental artists who use classical instruments, movement, and sound in spontaneous improvised compositions. Featuring Majid Ariam, Al-Yasha Ilhaam Williams, Ben Shirley, Priscilla Smith, and an evolving cast of various other artists.

$15. Doors open at 2:30 p.m. Music starts at 3:30 p.m.

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An evening with Brent Hinds at the Garden Club April 18

Brent Hinds

The great Brent Hinds—former Mastodon guitar player and mastermind behind such prolific acts as West End Motel (featuring the songwriting talents of Tom Cheshire of the Rent Boy, All Night Drug Prowling Wolves, and TCB), Fiend Without A Face, and Dirty B & the Boys—takes over the Garden Club at Wild Heaven for an evening of Southern fried surf punk, country, and monster movie rock ‘n’ roll. This show brings a veritable sampler of Hinds’ various projects from throughout the years together on one stage for a night of beauty and depravity that’s not for the faint of heart.

$20 (adv). $25 (day of). 7 p.m. (doors). 8 p.m. (showtime). The Garden Club at Wild Heaven West End, 1010 White St. SW.

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Jeff Parker ETA IVtet plays the Garden Club at Wild Heaven West End on Tuesday, April 1

Jeff Parker photo by JIm Newberry

Guitar player and composer Jeff Parker is perhaps best known for his contributions to contemporary jazz, experimental music, and post-rock as a long-standing member of the group Tortoise. Parker has also flourished through countless solo outings and collaborations with acts including the Chicago Underground Quartet, Isotope 217, and the New Breed. His latest endeavor, the ETA IVtet, is a Los Angeles-based outfit featuring drummer Jay Bellerose, double bassist Anna Butterss, and alto saxophonist Josh Johnson.

In November,  Parker and the ETA IVtet unveiled their second album, The Way Out of Easy, on International Anthem Recording Company. The record showcases Parker’s signature blend of adventurous improvisation, harmonic sophistication, and a deep groove, seamlessly bridging tradition and experimentation.

The group takes its name from the L.A. bar where they held a weekly residency from 2016 until it closed in December 2024.

With The Way Out of Easy, Parker and Co. reaffirm their place as formidable players at the forefront of contemporary music, pushing boundaries while remaining rooted in timeless expression via four improvised pieces bearing titles such as “Freakadelic,” “Late Autumn,” the album’s title track, and “Chrome Dome.” Press play below.

Jeff Parker’s ETA IVtet plays the Garden Club at Wild Heaven West End on Tuesday, April 1. $25 (adv). $30 (day of). Doors open at 7 p.m. Music starts at 8 p.m.

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Corndogorama: The Musical June 21-23 at Boggs Social & Supply


It’s difficult to believe that it’s been eight years since the last Corndogorama set up with its summer fair vibes with local music galore—nearly 40 bands and two DJs and fire performers are on deck for this weekend.

The long-standing Atlanta tradition returns this year, taking over Boggs Social & Supply on the Westside with three days of deep-fried good times. … Yes, there will be veggie corndogs for the veggies who walk among us, and the celebrated corndog eating contest goes down Saturday afternoon at 4:10 p.m. Who will eat the most corndogs, and how many can they keep down? This is an endurance test that’s not to be missed.

Friday, June 21

Fiend Without A Face

— Fiend Without a Face
Genki Genki Panic
— The Tomb Tones
— Falcon Lords
— Lemonmnm
$10. 7:30 p.m.

Saturday, June 22 (two stages)
— Apostle
— El Caminos
— Los Ojos Muertos
— Pretty Please
— Big Yellow
— El Capitan & the Reluctant Sadists
— Pink Peugeot
— Kid Fears
— Lesibu Grand
— Hot Wives
Loud Humans
— Nihilist Cheerleader
— Gothlantastan
— Twin Trances

Photo courtesy of Blood Circuits.

— Blood Circuits
— Hail Gail
— Wild Class
— Scare Quotes
— Highriders
**Corndog eating contest at 4:10 p.m.**
— Bad Spell
— Floral Print
— Smoochyface
— Los Gargoyles
— Stripper Cult
— Invaders on Mars
— DJs Rick More & James Joyce
$15. noon.

Sunday, June 23
— Left Bausman & His Right Hand Men
— Honey Puppy
— Strumbrush
— Rrest

Gebidan photo by Amanda Corbett

Gebidan
— We Are Magic
— Flap
— Sharks and Minnows
— Diamond Street Players
$10. 3 p.m.

NOTE: Weekend passes are available for $25.

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New Sounds Improvised by Quinn Mason, Kris Gruda, Dan Carey Bailey, and Kenito Murray at Best End Brewing on Friday, April 1

Kenito Murray leads an evening of improvisation at Best End Brewing Co. on Friday, April 1.

Percussionist Murray, along with Quinn Mason (tenor sax, keys), Kris Gruda (guitar), and Dan Carey Bailey (electric bass) will craft everything from trip hop and ambient sounds to jazz, Delta blues grooves, and dub beats.

Dan Carey Bailey (left) and Quinn Mason. Photo by Kenito Murray


Free. Music is live from 7-10 p.m. 1036 White St. SW (on the Westside BeltLine).

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Music In the Park virtual festival Thursday, December 10

Music In The Park founder Kebbi Williams. Photo courtesy Music In The Park.


On Thursday, December 10, at 7 p.m., Music In The Park celebrates 10 years of music and service to the community by highlighting Atlanta public school students and community youth as well as other local and international artists. This year, MITP brings its ever-evolving combination of artistic innovation and stellar performances—from a safe distance. To keep the community safe amid the ongoing COVID-19 pandemic, MITP is hosting a virtual festival.

Each year, MITP’s goal is to enlighten young performers and inspire vibrancy in communities through music and performing arts by encouraging young Atlanta-area musicians to pursue musical performance, composition, and production as a career. The festival also provides opportunities for professional musicians to be a part of the vital process of nurturing emerging talent while also providing a venue for musicians to collaborate with each other and connect with their audiences.

This year, MITP has expanded its program to Berlin and Germany, and created Cuban exchange programs for young musicians. The organization has also partnered with Atlanta’s Food Banks for food giveaway programs for those in need.

Music In The Park’s virtual festival lineup features:
— Toma Fit Youth Hip-Hop Athletes
— North Atlanta String Ensemble
— Tierra Adentro Youth Flamenco (New Mexico) Ensemble w/ Westlake High School Drumline
— Gallery 992 Sunday Jazz House Band
— Saunders Sermons
— Eli Maliki-(East Africa/Berlin)
— Batila -(Congo/Berlin)
— DJ Stan Zeff
— Marlon Patton
— Kebbi Williams
More artists will be announced soon. Check out the Music In The Park Facebook event page for details on how to tune in to the live stream.

Tax-deductible donations to Music In The Park support the virtual festival and other ongoing programs. Check out www.musicintheparkatl.org for more information.


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