Field Day revives punk’s base emotions, while asking the hard questions with ‘Why?’ 7-inch

In 2020, Field Day’s Opposite Land EP raised the bar high for Doug Carrion and Peter Cortner’s modern take on a classic hardcore charge. Together, they pulled off the unlikely feat of reinventing the disaffected ethos of their brief but defining tenure with D.C. hardcore outfit Dag Nasty for 1987’s Wig Out At Denko’s and 1988’s Field Day LP.

With their latest offering, the four-song “Why?” 7-inch (Unity Worldwide/Sense of Place Records), the group wields an even sharper edge.


Field Day’s emergence was a postmodern reference to a reference — a triumph that dug deep into the past to find wholly new levels of fertile creative soil in which to grow. The short, sharp blasts they delivered with Opposite Land’s cuts “One Song,” “Stolen Words,” “Speak The Truth,” and “Waiting For A Miracle” laid the blueprint for a new, no-nonsense aesthetic, and proved there was more music and chemistry left to explore within vocalist Cortner and singer and bass player Carrion’s dynamic.

“Why?’s” opening salvo expands upon the speed and velocity of Field Day’s previous efforts, while coalescing around a searing guitar lead and the lyrics: “You’re living in a world built on fiction. What’s the reason? I wonder why you never realized. It’s up to you, but you keep living a lie. Did you ever stop to ask the question: How did you get so disconnected?”

This open-ended indictment underscores the crucial power of PMA to find balance amid an era in which technology has gone awry and social unrest percolates under the shadow of an oppressive virus. It could mean anything, or it could mean something very specific — it’s about what the listener brings to the music.

The increased focus on display between Cortner, Carrion, guitarist Shay Mehrdad, and drummer Kevin Avery simply and powerfully ignites the group’s melodic tension, and amplifies Field Day’s search for answers while placing the human experience under the microscope.

A hidden A-side track and the B-side cuts “Alive” and “Audience Of One” tighten the melodic songwriting made sharp by Mehrdad’s high-octane guitar shredding.

Across the board, the group has stepped up the intensity of every element in the music. And with production by Carrion and mixing courtesy of Cameron Webb (Pennywise, Motörhead, Ignite), these four songs are louder and strike with a greater sense of urgency.

Doug Carrion of Field Day. Photo by Josh Coffman

“Field Day revels in a real-time musical confrontation of emotions — a trait that’s extended since Cortner and Carrion’s days with Dag Nasty, and Carrion’s formative years spent playing with the Descendents. Their veracity hits hard with “Audience Of One.” The song kicks off with a thunderous drum roll, signaling a heart-pounding finale. The fiery guitar tones, sprinting rhythm, and the lyrical query: “You always tell yourself what you want to believe, but when will you accept that you’re an audience of one?” brings the record’s prompt to a fine point: Look deep within yourself to find the power to rise above apathy.

Field Day has already proven their skills by releasing a handful of powerful and direct offerings. The four songs on the “Why?” 7-inch carry the pace to a higher level. Each number is bristling with rejuvenated and undeniably electric energy. It’s one thing to create something new from a decades-old chapter in Dag Nasty’s discography. It’s an entirely different thing to find new relevance, and outshine the past by creating vital new music. With “Why?,” Field Day revives classic punk and hardcore’s base emotions, while asking the hard questions, and always keeping their gaze fixed on what lies ahead.

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Upchuck plays a 7-inch release show at Eyedrum Sat., Nov. 6

Upchuck. Photo by Marlon Garcia

Upchuck celebrates the arrival of the group’s debut 7-inch (Famous Class Records) with an outdoor show at Eyedrum Art & Music Gallery on Saturday, November 6.

Its About Time also performs.

An extremely limited quantity of Upchuck’s “In Your Mind” b/w “Upchuck” blood-spattered 7-inches will be for sale on the merch table—first come first served.

Doors open open at 7:30 p.m. Music starts at 8:30 p.m. $15-$20. Get tickets here.

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Terror, Kublai Khan TX, and Pain of Truth play The Earl on Wed., May 25

Terror

Los Angeles’ straightedge-hardcore luminaries Terror are on the road again, this time celebrating 20 years of paint-peeling guitars, lightning-fast rhythms, and fierce and empowering vocal assaults. For this round of shows the group will pull out a few of their brutal classics while showcasing a set of newer numbers from their eighth album, Pain Into Power (Pure Noise Records), which was produced by the Terror’s co-founder member and former guitar player, Todd Jones.

Sherman, TX metalcore outfit Kublai Khan TX plays the middle slot supporting a new release of their own, titled Lowest Form of Animal (Rise Records).

Long Island hardcore outfit Pain of Truth, fronted by vocalist Michael Smith (Hangman, Victory Garden), sets the night in motion.

$27 (adv). $30 (Doors). Wed., May 25 at The Earl.

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Circle Jerks, 7 Seconds, and Negative Approach play the Masquerade July 22

Circle Jerks photo by Atiba Jefferson


Southern California hardcore icons the Circle Jerks are on the road again, celebrating the 40th anniversaries of their first two albums, Group Sex and Wild In the Streets, both recently reissued by Trust Records Company.

The show also marks the Circle Jerks’ first show in Atlanta since they played the Masquerade in December of 2006. Were you at that show?

For this tour, drummer Joey Castillo (Danzig, QOTSA, BL’AST!, the Bronx, and more) joins the classic lineup, featuring bass player Zander Schloss, guitar player Greg Hetson, and frontman Keith Morris.

Trust Records also recently reissued 7 Seconds’ 1984 debut LP, The Crew. Both 7 Seconds and Negative Approach (!!!) fill out the bill in Heaven at the Masquerade. Friday, July 22. $32.50 (adv). 7 p.m. (doors).

Photo courtesy 7 Seconds


Negative Approach photo by Chad Radford


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Neon Christ, GG King, and Upchuck play The Star Bar parking lot June 12—Record Store Day

On June 12, as the Record Store Day shopping frenzy winds down in Little Five Points, head over to the the parking lot behind the Star Bar (437 Moreland Ave NE), where Neon Christ, GG King, and Upchuck are playing a free show from 6-8 p.m.

Atlanta’s hardcore luminaries Neon Christ were founded by Alice in Chains singer William DuVall in 1984. Back then DuVall played guitar alongside vocalist Randy DuTeau, bass player Danny Lankford, and drummer Jimmy Demer. “Our first practices were in Little Five Points, just steps from where we’ll play June 12,” DuVall says. “We played festivals here in ’84 and ’85. My record collection as a teenager came almost entirely from Wax N Facts. We didn’t even consider playing anywhere else.”

DuVall also did a brief stint playing in Santa Cruz, California’s seminal hardcore group Bl’ast! between 1986 and ’87.

Neon Christ’s members are reuniting to play live for the first time since February 8, 2008, when they took the stage together at The Treehouse in Lawrenceville. The show is also a victory lap on the heels of releasing the 1984 discography LP as a Record Store Day exclusive via Southern Lord and DuVall’s DVL imprint.

For this show, NX will tear through its earliest thrash and hardcore songs such as “Parental Suppression,” “Bad Influence,” “Ashes to Ashes,” and more. This is the material from their original two 7-inch releases, culled together and remastered for 1984—much of which the band stopped playing that same year. Before splitting up in 1986, NX’s had evolved and channeled its energy into longer, heavier, and slower songs. On June 12, though, the group is going full-on high-energy.


Press play on the new video for the group’s theme song, “Neon Christ.”

Before the show, NX will be at Criminal Records from 5-6 p.m. for a meet-and-greet, and to sign copies of 1984. “We wanted to do a quick in-store appearance for Record Store Day, but Covid restrictions would keep us from doing a proper punk rock show,” says Demer. “So we decided to make it outdoors, and all ages, and free. And instead of doing a couple of songs, we’ll play a full set.”

Music behind the Star Bar starts promptly at 6 p.m. Each band is playing a tight 30-minute set with an even tighter changeover between sets. “If all goes as planned, Neon Christ will play at 7:30 p.m. and end 26 minutes later,” Demer says. “Don’t blink, you’ll miss it.”

Don’t dick around and miss this one. After the Treehouse show in 2008 the group said it was the last time NX would play live. So 13 years later, this is a rare treat, and it could be your last chance to see them on stage. “We’ve only played two or three times since we broke up in 1986,” Demer says. “This one feels like a homecoming. It’s full circle, back to Little Five Points.”

This show also marks the first time that GG King has played live since the crushing new LP Remain Intact arrived in March via Total Punk. Press play below.


Upchuck photo by Caitlin Fitch.

And check out Upchuck’s self-titled EP from January 2020, too. It’s a scorcher.



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Teenage Bottlerocket, MakeWar, and Breaux play Boggs Social & Supply Thursday, July 1

Laramie, Wyoming’s pop-punk institution Teenage Bottlerocket and their Fat Wreck Chords labelmates MakeWar join Atlanta’s Breaux for an evening our outdoor music on the loading dock at Boggs Social & Supply. Thursday, July 1. $17 (adv). $20 (day of show). 7 p.m. (doors). 1310 White Street SW.

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